For thirty years the "Times" had been standing for law and order against all the forces of red riot and revolution; for thirty years the "Times" had been declaring that labor leaders and walking delegates and Socialists and Anarchists were all one and the same thing, and all placed their reliance fundamentally upon one instrument, the dynamite bomb. Here at last the "Times" was vindicated, this was the "Times" great day! They had made the most of it, not merely on the front page, but on two other pages, with pictures of all the conspicuous conspirators, including Peter, and pictures of the I. W. W. headquarters, and the suit-case, and the sticks of dynamite and the fuses and the clock; also of the "studio"

in which the Reds had been trapped, and of Nikitin, the Russian anarchist who owned this den. Also there were columns of speculation about the case, signed statements and interviews with leading clergymen and bankers, the president of the Chamber of Commerce and the secretary of the Real Estate Exchange. Also there was a two-column, double-leaded editorial, pointing out how the "Times"

had been saying this for thirty years, and not failing to connect up the case with the Goober case, and the Lackman case, and the case of three pacifist clergymen who had been arrested several days before for attempting to read the Sermon on the Mount at a public meeting.

And Peter knew that he, Peter Gudge, had done all this! The forces of law and order owed it all to one obscure little secret service agent! Peter would get no credit, of course; the Chief of Police and the district attorney were issuing solemn statements, taking the honors to themselves, and with never one hint that they owed anything to the secret service department of the Traction Trust.

That was necessary, of course; for the sake of appearances it had to be pretended that the public authorities were doing the work, exercising their legal functions in due and regular form. It would never do to have the mob suspect that these activities were being financed and directed by the big business interests of the city. But all the same, it made Peter sore! He and McGivney and the rest of Guffey's men had a contempt for the public officials, whom they regarded as "pikers"; the officials had very little money to spend, and very little power. If you really wanted to get anything done in America, you didn't go to any public official, you went to the big men of affairs, the ones who had the "stuff," and were used to doing things quickly and efficiently. It was the same in this business of spying as in everything else.

Now and then Peter would realize how close he had come to ghastly ruin. He would have qualms of terror, picturing himself shut up in the hole, and Guffey proceeding to torture the truth out of him. But he was able to calm these fears. He was sure this dynamite conspiracy would prove too big a temptation for the authorities; it would sweep them away in spite of themselves. They would have to go thru with it, they would have to stand by Peter.

And sure enough, on the evening of the second day a jailer came and said: "You're to be let out." And Peter was ushered thru the barred doors and turned loose without another word.

Section 49

Peter went to Room 427 of the American House and there was McGivney waiting for him. McGivney said nothing about any suspicion of Peter, nor did Peter say anything--he understood that by-gones were to be by-gones. The authorities were going to take this gift which the fates had handed to them on a silver platter. For years they had been wanting to get these Reds, and now magically and incredibly, they had got them!

"Now, Gudge," said McGivney, "here's your story. You've been arrested on suspicion, you've been cross-questioned and put thru the third degree, but you succeeded in satisfying the police that you didn't know anything about it, and they've released you. We've released a couple of others at the same time, so's to cover you all right; and now you're to go back and find out all you can about the Reds, and what they're doing, and what they're planning. They're shouting, of course, that this is a 'frame-up.' You must find out what they know. You must be careful, of course--watch every step you take, because they'll be suspicious for a while. We've been to your room and turned things upside down a bit, so that will help to make it look all right."

Peter sallied forth; but he did not go to see the Reds immediately.

He spent an hour dodging about the city to make sure no one was shadowing him; then he called up Nell at a telephone number she had given him, and an hour later they met in the park, and she flew to his arms and kissed him with rapturous delight. He had to tell her everything, of course; and when she learned that Joe Angell was a secret agent, she first stared at him in horror, and then she laughed until she almost cried. When Peter told how he had met that situation and got away with it, for the first time he was sure that he had won her love.

"Now, Peter," she said, when they were calm again, we've got to get action at once. The papers are full of it, and old Nelse Ackerman must be scared out of his life. Here's a letter I'm going to mail tonight--you notice I've used a different typewriter from the one I used last time. I went into a typewriter store, and paid them to let me use one for a few minutes, so they can never trace this letter to me.

The letter was addressed to Nelson Ackerman at his home, and marked "Personal." Peter read:

"This is a message from a friend. The Reds had an agent in your home. They drew a plan of your house. The police are hiding things from you, because they can't get the truth, and don't want you to know they are incompetent. There is a man who discovered all this plot, and you should see him. They won't let you see him if they can help it. You should demand to see him. But do not mention this letter. If you do not get to the right man, I will write you again.

If you keep this a secret, you may trust me to help you to the end.

If you tell anybody, I will be unable to help you."

"Now," said Nell, "when he gets that letter he'll get busy, and you've got to know what to do, because of course everything depends on that." So Nell proceeded to drill Peter for his meeting with the King of American City. Peter now stood in such awe of her judgment that he learned his lessons quite patiently, and promised solemnly that he would do exactly what she said and nothing else. He reaped his reward of kisses, and went home to sleep the sleep of the just.

Next morning Peter set out to do some of his work for McGivney, so that McGivney would have no ground for complaint. He went to see Miriam Yankovich, and this time Miriam caught him by his two hands and wrung them, and Peter knew that he had atoned for his crime against little Jennie. Peter was a martyr once more. He told how he had been put thru the third degree; and she told how the water from the washtub had leaked thru the ceiling, and the plaster had fallen, and ruined the dinner of a poor workingman's family.

Also, she told him all about the frame-up as the Reds saw it.

Andrews, the lawyer, was demanding the right to see the prisoners, but this was refused, and they were all being held without bail. On the previous evening Miriam had attended a gathering at Andrews'

home, at which the case was talked out. All the I. W. W.'s declared that the thing was the rankest kind of frame-up; the notes were obviously fake, and the dynamite had undoubtedly been planted by the police. They had used it as a pretext to shut up the I. W. W.

headquarters, and to arrest a score of radicals. Worst of all, of course, was the propaganda; the hideous stories with which they were filling the papers. Had Peter seen this morning's "Times?" A perfectly unmistakable incitement to mobs to gather and lynch the Reds!

Section 50

From Miriam's, Peter went back to Room 427. It was Nell's idea that Nelse Ackerman would not lose a minute next morning; and sure enough, Peter found a note on the dressing-table: "Wait for me, I want to see you."

Peter waited, and before long McGivney came in and sat down in front of him, and began very solemnly: "Now Peter Gudge, you know I'm your friend."

"Yes, of course."

"I've stood by you," said McGivney. "If it hadn't been for me, the boss would have had you in the hole right now, trying to sweat you into confessing you planted that dynamite. I want you to know that, and I want you to know that I'm going to stand by you, and I expect you to stand by me and give me a square deal."

"Why, sure!" said Peter. "What is it?" Then McGivney proceeded to explain: Old Nelse Ackerman had got the idea that the police were holding back something from him. He was scared out of his wits about this case, of course. He had himself shut up in a cupboard at night, and made his wife pull down the curtains of her limousine when she went driving. And now he was insisting that he must have a talk with the man who had discovered this plot against him. McGivney hated to take the risk of having Peter become acquainted with anybody, but Nelse Ackerman was a man whose word was law. Really, he was Peter's employer; he had put up a lot of the money for the secret service work which Guffey was conducting, and neither Guffey or any of the city authorities dared try to fool him.

"Well, that's all right," said Peter; "it won't hurt for me to see him."

"He's going to question you about this case," said McGivney. "He's going to try to find out everything he can. So you got to protect us; you got to make him understand that we've done everything possible. You got to put us right with him."

Peter promised solemnly he would do so; but McGivney wasn't satisfied. He was in a state of trepidation, and proceeded to hammer and hammer at Peter, impressing upon him the importance of solidarity, of keeping faith with his fellows. It sounded exactly like some of the I. W. W.'s talking among themselves!

"You may think, here's a chance to jump on us and climb out on top, but don't you forget it, Peter Gudge, we've got a machine, and in the long run it's the machine that wins. We've broken many a fellow that's tried to play tricks on us, and we'll break you. Old Nelse will get what he wants out of you; he'll offer you a big price, no doubt--but before long he'll be thru with you, and then you'll come back to us, and I give you fair warning, by G.o.d, if you play us dirty, Guffey will have you in the hole in a month or two, and you'll come out on a stretcher."

So Peter pledged his faith again; but, seeing his chance, he added: "Don't you think Mr. Guffey ought to do something for me, because of that plot I discovered?"

"Yes, I think that," said McGivney; "that's only fair."

And so they proceeded to bargain. Peter pointed out all the dangers he had run, and all the credit which the others had got. Guffey hadn't got credit in the papers, but he had got it with his employers, all right, and he would get still more if Peter stood by him with the king of American City. Peter said it ought to be worth a thousand dollars, and he said he ought to have it right away, before he went to see the king. At which Guffey scowled ferociously.

"Look here, Gudge! you got the nerve to charge us such a price for standing by your frame-up?"

McGivney generally treated Peter as a coward and a feeble bluffer; but he had learned also that there was one time when the little man completely changed his nature, and that was when it was a question of getting hold of some cash. That was the question now; and Peter met McGivney scowl for scowl. "If you don't like my frame-up," he snarled, "you go kick to the newspapers about it!"

Peter was the bulldog again, and had got his teeth in the other bulldog's nose, and he hung right there. He had seen the rat-faced man pull money out of his clothes before this, and he knew that this time, above all other times, McGivney would come prepared. So he insisted--a thousand or nothing; and as before, his heart went down into his boots when McGivney produced his wad, and revealed that there was more in the wad than Peter had demanded!

However, Peter consoled himself with the reflection that a thousand dollars was a tidy sum of money, and he set out for the home of Nelse Ackerman in a jovial frame of mind. Incidentally he decided that it might be the part of wisdom not to say anything to Nell about this extra thousand. When women found out that you had money, they'd never rest till they had got every cent of it, or at least had made you spend it on them!

Section 51

Nelse Ackerman's home was far out in the suburbs of the city, upon a knoll surrounded by forest. It was a couple of miles from the nearest trolley line, which forced Peter to take a hot walk in the sun. Apparently the great banker, in selecting the site of his residence, had never once thought that anybody might want to get to it without an automobile. Peter reflected as he walked that if he continued to move in these higher circles, he too would have to join the motor-driving cla.s.s.

About the estate there ran a great bronze fence, ten feet high, with sharp, inhospitable spikes pointing outwards. Peter had read about this fence a long time ago in the American City "Times"; it was so and so many thousand yards long, and had so and so many spikes, and had cost so and so many tens of thousands of dollars. There were big bronze gates locked tight, and a sign that said: "Beware the dogs!"

Inside the gates were three guards carrying rifles and walking up and down; they were a consequence of the recent dynamite conspiracy, but Peter did not realize this, he took them for a regular inst.i.tution, and a symbol of the importance of the man he was to visit.

He pressed a b.u.t.ton by the side of the gate, and a lodgekeeper came out, and Peter, according to orders, gave the name "Arthur G.

McGillicuddy." The lodge-keeper went inside and telephoned, and then came back and opened the gate, just enough to admit Peter. "You're to be searched," said the lodge-keeper; and Peter, who had been arrested many times, took no offense at this procedure, but found it one more evidence of the importance of Nelse Ackerman. The guards went thru his pockets, and felt him all over, and then one of them marched him up the long gravel avenue thru the forest, climbed a flight of marble steps to the palace on the knoll, and turned him over to a Chinese butler who walked on padded slippers.

If Peter had not known that this was a private home he would have thought it was an art gallery. There were great marble columns, and paintings bigger than Peter, and tapestries with life-size horses; there were men in armor, and battle axes and j.a.panese dancing devils, and many other strange sights. Ordinarily Peter would have been interested in learning how a great millionaire decorated his house, and would have drunk deep of the joy of being amid such luxury. But now all his thoughts were taken up with his dangerous business. Nell had told him what to look for, and he looked.

Mounting the velvet-carpeted staircase, he noted a curtain behind which a man might hide, and a painting of a Spanish cavalier on the wall just opposite. He would make use of these two sights.

They went down a hall, like a corridor in the Hotel de Soto, and at the end of it the butler tapped softly upon a door, and Peter was ushered into a big apartment in semi-darkness. The butler retired without a sound, closing the door behind him and Peter stood hesitating, looking about to get his bearings. From the other side of the room he heard three faint coughs, suggesting a sick man.

There was a four-poster bed of some dark wood, with a canopy over it and draperies at the side, and a man in the bed, sitting propped up with pillows. There were more coughs, and then a faint whisper, "This way." So Peter crossed over and stood about ten feet from the bed, holding his hat in his hands; he was not able to see very much of the occupant of the bed, nor was he sure it would be respectful for him to try to see.

"So you're--(cough) what's your name?"

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