A Bibliographical, Antiquarian and Picturesque Tour in France and GermanyVIRGILIUS. _Printed by Ghering_. 1478. _Quarto_. This impression is perhaps rather rare than valuable; although I am free to admit it is yet a desideratum in the Spencerian collection. It commences with an address by the famous Beroaldus to I. Francus, his pupil, on the reverse of the first leaf--in which the tutor expresses his admiration of Virgil in the following manner: "te amantissime mi Johannes hortor, te moneo, et si pateris oro, ut VIRGILIUM lect.i.tes. Virgilio inhies: Illum colas; illum dies noctesque decates. Ille sit semper in manibus. Et ut praeceptoris fungar officio, illud potissimum tibi pecipia et repetens iterumque iterumque monebo: ut humanitatis studia ac masuetiores musas avidissime complectaris." This edition is executed in the printer's second (handsome) fount of roman type, upon very thick paper.[62] The present copy, although apparently cropt, is sound and desirable.
PLINII HIST. NATURALIS. _Printed by J. de Spira_. 1469. Folio. EDITIO PRINCEPS:--but oh,! marvellous specimen--a copy UPON VELLUM! Fair is the colour and soft is the texture of this exquisite production--bound in two volumes. I examined both volumes thoroughly, and am not sure that I discovered what might be fairly called one discoloured leaf. It is with equal pain and difficulty that one withdraws one's eyes from such a beautiful book-gem. This copy measures fifteen inches and a half, by ten inches and three-eighths.
The SAME EDITION. Upon paper. A remarkably fine copy: well beaten however-- and, I should be loth to a.s.sert positively, not free from some washing--for the ancient red numerals, introduced by the pencil of the rubricator, and designating the several books and chapters, seem to have faded and been retouched. I observe also, that some of the ancient illuminated letters, which had probably faded during the process of washing or cleaning, have been retouched, and even painted afresh--especially in the blue back-grounds. The first page is prettily illuminated; but there are slight indications of the worm at the end of the volume. Upon the whole, however, this is a magnificent book, and inferior only to Lord Spencer's unrivalled copy--upon paper. It measures sixteen inches and five eighths, by eleven inches and one sixteenth, and is handsomely bound in red morocco.
PLINII HISTORIA NATURALIS. _Printed by Jenson_, 1472. Folio. A copy UPON VELLUM: but, upon the whole, I was disappointed in the size and condition of this book. The vellum has not had justice done to it in the binding, being in parts crumpled. The first page is however beautifully illuminated.
This copy measures sixteen inches, by ten and three eighths.
PLINII HIST. NAT. Italice. _Printed by Jenson_. 1476. Folio. A copy UPON VELLUM. About the first forty leaves are cruelly stained at top. The last eight or ten leaves are almost of a yellow tint. In other parts, where the vellum is white, (for it is of a remarkably fine quality) nothing can exceed the beauty of this book: but it has been, I suspect, very severely cropt--if an opinion may be formed from its companion upon paper, about to be described. It is fifteen inches in height, by ten and a quarter in width.
THE SAME EDITION. _Printed by the same Printer_. I suspect this to be perhaps the finest paper copy in the world: as perfect as Lord Spencer's copy of the first edition of the same author. Every thing breathes of its pristine condition: the colour and the substance of the paper: the width of the margin, and the purity of the embellishments:[63] This copy will also serve to convince the most obstinate, that, when one catches more than a glimpse of the ms. numerals at top, and ms. signatures at bottom, one has hopes of possessing the book in its primitive plenitude. It is sixteen inches and three quarters in height, by nearly eleven inches and a quarter in width.
LIVIUS. _Printed by Sweynheym and Pannartz_. 1469. Folio. EDITIO PRINCEPS.
A fine copy, in three thin volumes. The margins, however, are not free from ms. notes, and there are palpable evidences of a slight truncation. Yet it is a fine copy: measuring fifteen inches and very nearly three quarters, by eleven inches one eighth. In red morocco binding.
LIVIUS. _Printed by Ulric Han_. _Without Date_. Folio. In three thin volumes. A large copy, but evidently much washed, from the faint appearance of the marginal notes. Some leaves are very bad--especially the earlier ones of the preface and the text. The latter, however, have a very pretty ancient illumination. This copy measures fifteen inches five eighths, by ten seven eighths.[64]
LIVIUS. _Printed by Vindelin de Spira_. 1470. Fol. A magnificent copy, in two volumes: much preferable to either of the preceding. The first page of text has a fine old illumination. It is clean and sound throughout: measuring fifteen inches five eighths, by eleven inches--within an eighth.
THE SAME EDITION. Printed UPON VELLUM. This copy, if I remember rightly, is considered to be unique.[65] It is that which was formerly preserved in the public library at Lyons, and had been lent to the late Duke de la Valliere during his life only--to enrich his book-shelves--having been restored to its original place of destination upon the death of the Duke. It is both in an imperfect and lacerated condition: the latter, owing to a cannon ball, which struck it during the siege of Lyons. The first volume, which begins abruptly thus: "ex parte altera ripe, &c." is a beautiful book; the vellum being of a uniform, but rather yellow tint. It measures fourteen inches five eighths, by nine and six eighths. The second volume makes a kind-hearted bibliographer shudder. The cannon ball took it obliquely, so as to leave the first part of the volume less lacerated than the latter. In the latter part, however, the direction of the destructive weapon went, capriciously enough, across the page. This second volume yet exhibits a fine old illumination on the first page.
LIVIUS. _Printed by Sweynheym and Pannartz_. 1472. Fol. 2 vols. A fine copy, and larger than either of the preceding: but the beginning of the first volume and the conclusion of the second are slightly wormed. There is a duplicate leaf of the beginning of the text, which is rather brown, but illuminated in the ancient manner. This copy measures fifteen inches and a half, by eleven one eighth.
Let me now vary the bibliographical theme, by the mention of a few copies of works of a miscellaneous but not unamusing character. And first, for a small cl.u.s.ter of CAXTONS and MACHLINIAS.
TULLY OF OLD AGE, &C. _Printed by Caxton_, 1481. A cropt and soiled copy; whereas copies of this Caxtonian production are usually in a clean and sound condition. The binding is infinitely too gaudy for the state of the interior. It appears to want the treatise upon Friendship. This book once belonged to William Burton the Leicestershire historian; as we learn from this inscription below the colophon: "_Liber Willmi Burton Lindliaci Leicestrensis socij inter. Templi, ex dono amici mei singularis M^{ri}.
Iohanis Price, socij Interioris. Templi, 28. Jan. 1606. Anno regni regis Iacobi quarto_." On the reverse is a fac-simile of the same subscription, beneath an exceedingly well executed head of Burton, in pen and ink.
ART AND CRAFTE TO KNOW WELL TO DYE. _Printed by Caxton_. 1490. Folio. This book was sold to the Royal Library of France, many years ago, by Mr. Payne, for the moderate sum of 10. 10s. It is among the rarest of the volumes from the press of Caxton. Every leaf of this copy exhibits proof of the skill and care of Roger Payne; for every leaf is inlaid and mounted, with four lines of red ink round each page--not perhaps in the very best taste.
The copy is also cramped or choked in the back.
STATUTES OF RICHARD III. _Printed by Machlinia_. Folio. _Without Date_. A perfect copy for size and condition; but the binding is much too gay. I refer you to the Typographical Antiquities[66] for an account of this edition:
NOVA STATUTA. _Printed by the Same_. Folio. You must examine the pages last referred to, for a description of this elaborately executed volume; printed upon paper of an admirable quality. The present is a sound, clean, and desirable copy: but why in such gay, red morocco, binding?
LIBER MODORUM SIGNIFICANDI. _Printed at St. Alban's_; 1480. Quarto. The only copy of this rare volume I have ever seen. It appears to be bound in what is called the old Oxford binding, and the text is preceded by a considerable quant.i.ty of old coeval ms. relating to the science of arithmetic. A full page has thirty-two lines.
The signatures _a_, _b_, _c_, _d_, _e_, run in eights: _f_ has six leaves.
On the recto of _f_ vj is the colophon:
This copy had belonged successively to Tutet and Wodhull. A ms. treatise, in a later hand, concludes the volume. The present is a sound and desirable copy.
BOCCACCIO. IL DECAMERONE. _Printed by Valdarfer_. 1471. Folio. This is the famous edition about which all the Journals of Europe have recently "rung from side to side." But it wants much in value of THE yet more famous COPY[67] which was sold at the sale of the Duke of Roxburghe's library; inasmuch as it is defective in the first leaf of the text, and three leaves of the table. In the whole, according to the comparatively recent numerals, there are 265 leaves. This copy measures eleven inches and a half, by seven inches and seven eighths. It is bound in red morocco, with inside marble leaves.
THE SAME WORK. _Printed by P. Adam de Michaelibus_. _Mantua_, 1472. An edition of almost equal rarity with the preceding; and of which, I suspect, there is only one perfect copy (at Blenheim) in our own country.
The table contains seven leaves; and the text, according to the numbers of this copy, has 256 leaves. A full page has forty-one lines. The present is a sound, genuine copy; measuring, exclusively of the cover, twelve inches three eighths, by eight seven eighths.
BOCCACE. RUINES DES n.o.bLES HOMMES & FEMMES. _Printed by Colard Mansion, at Bruges_. 1476. Folio. This edition is printed in double columns, in Mansion's larger type, precisely similar to what has been published in the Bibliotheca Spenceriana.[68] The t.i.tle is in red--with a considerable s.p.a.ce below, before the commencement of the text, as if this vacuum were to be supplied by the pencil of the illuminator. The present is a remarkably fine copy. The colophon is in six lines.
FAIT DE LA GUERRE. _Printed by Colard Mansion_. _Without Date_. Folio. This rare book is printed in a very different type from that usually known as the type of Colard Mansion: being smaller and closer--but decidedly gothic.
A full page has thirty-two lines. There are neither numerals, signatures, nor catchwords. On the recto of the twenty-ninth and last leaf, we read
_Impressum brugis per Colardum Mansion._
The reverse is blank. This is a fine genuine copy, in red morocco binding.
LASCARIS GRAMMATICA GRaeCA. 1476. Quarto. The first book printed in the Greek language; and, as such, greatly sought after by the curious. This is a clean, neat copy, but I suspect a little washed and cropt. Nevertheless, it is a most desirable volume.[69]
AULUS GELLIUS. _Printed by Sweynheym and Pannartz_. 1469. Folio. Editio Princeps. A sound and rather fine copy: almost the whole of the old ms.
numerals at top remaining. It is very slightly wormed at the beginning.
This copy measures thirteen inches by nine.
CaeSAR. _Printed by Sweynheym and Pannartz_. 1469. Folio. Editio Princeps: with ms. notes by Victorius. A large sound copy, but the first few leaves are soiled or rather thumbed. The marginal edges are apparently uncut. It measures twelve inches seven eighths by nine inches one eighth.
APULEIUS. _Printed by the Same_. 1469. Folio. Editio Princeps. All these FIRST EDITIONS are of considerable rarity. The present copy is, upon the whole, large and sound: though not free from marginal notes and stains. The first few leaves at top are slightly injured. It measures thirteen inches one eighth, by nine inches.[70]
AUSONIUS. 1472. Folio: with all the accompanying pieces.[71] Editio Princeps; and undoubtedly much rarer than either of the preceding volumes.
Of the present copy, the first few leaves are wormed in the centre, and a little stained. The first illuminated leaf of the text is stained; so is the second leaf, not illuminated. In the whole, eighty-six leaves. The latter leaves are wormed. This copy is evidently cropt.
CATULLUS, TIBULLUS & PROPERTIUS. 1472. Folio. Editio Princeps. Of equal, if not greater, rarity than even the Ausonius. This is a sound and very desirable copy--displaying the ancient ms. signatures. The edges of the leaves are rather of a foxy tint. After the Catullus, a blank leaf. This copy measures eleven inches one eighth, by very nearly seven inches five eighths.
HOMERI OPERA. Gr. 1488. Folio. Editio Princeps. When you are informed that this copy is ... UNCUT ... you will necessarily figure to yourself a volume of magnificent, as well as pristine, dimensions. Yet, without putting on spectacles, one discovers occasionally a few foxy spots towards the edges; and the first few leaves are perhaps somewhat tawny. Upon the whole, however, the condition is wonderful: and I am almost ashamed of myself at having talked about foxy spots and tawny tints. This copy is bound in red morocco, in a sensible, una.s.suming manner. For the comfort of such, whose copies aspire to the distinction of being _almost_ uncut, I add, that this volume measures fourteen inches, by about nine inches and five eighths.
HOMERI OPERA. Gr. 1808. _Printed by Bodoni_. Folio. 2 volumes. This grand copy is printed UPON VELLUM, and is the presentation copy to Bonaparte--to whom this edition was dedicated, by Bodoni.[72] Splendid, large, and beautiful, as is this typographical performance, I must candidly own that there is something about it which "likes me not." The vellum, however choice, and culled by Bodoni's most experienced foragers, is, to my eye, too white--which arises perhaps from the text occupying so comparatively small a s.p.a.ce in the page. Nor is the type pleasing to my taste. It is too cursive and sparkling; and the upper strokes are uniformly too thin. In short, the whole has a cold effect. However, this is questionless one of the most magnificent productions of the modern press. The volumes measure two feet in length.
CRONIQUES DE FRANCE. _Printed by Verard_. 1493. Folio. Three vols. A glorious copy--printed UPON VELLUM! The wood-cuts are coloured. It is bound in red morocco.
LAUNCELOT DU LAC. _Printed by Verard_. 1494. Folio. 3 vols. Also UPON VELLUM. In red morocco binding. There is yet another copy of the same date, upon vellum, but with different illuminations: equally magnificent and covetable. In red morocco binding.
GYRON LE COURTOYS: auecques la devise des armes de tous les cheualiers de la table ronde. _Printed by Verard_. _Without Date_. Folio. Printed UPON VELLUM. This was once a fine thumping fellow of a copy!--but it has lost somewhat of its stature by the knife of the binder--or rather from the destruction of the Library of St. Germain des Pres: whence it was thrown into the streets, and found next day by M. Van Praet. Many of the books, from the same library, were thrown into cellars. It is evident, from the larger illuminations, and especially from the fourth, on the recto of _d vj_, that this volume has suffered in the process of binding. In old blue morocco.
ROMAN DE LA ROSE. _Printed by Verard_. _Without Date_. Small folio. In double columns, in prose. This superbly bound volume--once the property of H. Durfe, having his arms in the centre, and corner embellishments, in metal, on which are the entwined initials T.C.--is but an indifferent copy.
It is printed UPON VELLUM; and has been, as I suspect, rather cruelly cropt in the binding. Much of the vellum is also crumpled and tawny.
L'HORLOGE DE SAPIENCE. _Printed by Verard_. 1493. Folio. One of the loveliest books ever opened, and printed UPON VELLUM. Every thing is here perfect. The page is finely proportioned, the vellum is exceedingly beautiful, and the illuminations have a brilliance and delicacy of finish not usually seen in volumes of this kind. The borders are decorated by the pencil, and the second may be considered quite perfect of its kind. This book is bound by Bradel l'Aine.
MILLES ET AMYS. _Printed by Verard_. _Without Date_. Folio. A copy UPON VELLUM. From the same library as the copy of the Roman de la Rose, just described; and in the same style of binding. It is kept in the same case; but, although cropt, it is a much finer book. The cuts are coloured, and the text is printed in double columns. I do not at this present moment remember to have seen another copy of this edition of the work.
IEU DES ESCHEZ. _Without name of Printer (but probably by Verard) or Date_.
Folio.[73] This is one of the numerous French originals from which Caxton printed his well known moralised work, under the t.i.tle of the _Game and Play of the Chesse_. This fine copy is printed UPON VELLUM, in a large gothic letter, in double columns. The type has rather an uneven appearance, from the thickness of the vellum. There are several large prints, which, in this copy, are illuminated.
L'ARBRE DES BATAILLES. _Printed by Verard_. 1493. Folio. Another fine volume, printed UPON VELLUM. With the exception only of one or two crumpled or soiled leaves, this copy is as perfect as can be desired. Look from _d iiij_. to _ej_, for a set of exquisitely printed leaves upon vellum, which cannot be surpa.s.sed. The cuts are here coloured in the usually bold and brilliant style.
LA CHa.s.sE ET LE DEPART D'AMOURS. _Printed by Verard_. 1509. Folio. This volume of interesting old French poetry, UPON VELLUM, which is printed in double columns, formerly belonged to the abbey of St. Germain des Pres--as an inscription upon the t.i.tle denotes. The work abounds with very curious, and very delectable old French poetry. Look, amongst a hundred other similar things, at the _"Balade ioyeuse des taverniers_," on the reverse _Q_. i: each stanza ending with
_Les tauerniers qui brouillent nostre vin._