A Bibliographical, Antiquarian and Picturesque Tour in France and GermanyLA NEF DES FOLZ DU MONDE. _Printed by Verard. Without Date_. Folio. A most magnificent copy; printed UPON VELLUM. Every page is highly illuminated, with ample margins. What is a little extraordinary, the reverse of the sixth leaf has ms. text above and below the large illumination; while the recto of the same leaf has printed text. The present n.o.ble volume, which has the royal arms stamped on the exterior, is one of the few old books which has not suffered amputation by recent binding.
THE SAME WORK. _Printed by the Same_. Folio. The poetry is in double columns, and the cuts are coloured. I apprehend this copy to be much cropt.
It is UPON VELLUM: rather tawny, but upon the whole exceedingly sound and desirable.
L'ART DE BIEN MOURIR. _Printed for Verard_. _Without Date_. Folio. A fragment only of the Work. In large gothic type; double columns: cuts coloured. There are two cuts of demons torturing people in a cauldron, such as may be seen in the second volume of my Typographical Antiquities.[74]
Some of these cuts, in turn, may be taken from the older ones in block books. The present copy is UPON VELLUM, rather tawny: but it is large and sound. In calf binding.
PARABOLES [de] MAISTRE ALAIN [De Lille] _Printed by Verard_, 1492. Folio. A magnificent volume, for size and condition. It is printed in Verard's large type, in long lines. The illuminations are highly coloured. This copy is UPON VELLUM.[75]
Suppose, now, I throw in a little variety from the preceding, by the mention of a rare _Italian_ book or two? Let me place before you a choice copy of the
MONTE SANCTO DI DIO. _Printed in 1477_. Folio. This, you know, is the volume about which the collectors of early copper-plate engraving are never thoroughly happy until they possess a perfect copy of it: perhaps a copy of a more covetable description than that which is now before me. There is a duplicate of the first cut: of which one impression is faint, and miserably coloured, and the other is so much cut away to the left, as to deprive the man, looking up, of his left arm. There is an exceedingly well executed duplicate of the large Christ, drawn with a pen. In the genuine print there is too much of the burr. The impression of the Devil eating human beings, within the lake of fire, is a good bold one. This copy is bound in red morocco, but in a flaunting style of ornament.
LA SFORZIADA. _Printed in 1480_. Folio. It is just possible you may not have forgotten the description of a copy of this work--like the present, struck off UPON VELLUM--which appears in the _Bibliographical Decameron_.[76] That copy, you may remember, adorns the choice collection of our friend George Hibbert, Esq.[77] The book before me is doubtless a most exquisite one; and the copy is of large dimensions. The illuminated first page very strongly resembles that in the copy just mentioned. The portraits appear to be the same: but the Cardinal is differently habited, and his phisiognomical expression is less characteristic here than in the same portrait in Mr. Hibbert's copy. The head of Duke Sforza, his brother, seems to be about the same.
The lower compartment of this splendidly illuminated page differs materially from that of Mr. Hibbert's copy. There are two figures kneeling, apparently portraits; with the sea in the distance. The figure of St. Louis appears in the horizon--very curious. To the right, there are rabbits within an enclosure, and human beings growing into trees. The touch and style of the whole are precisely similar to what we observe in the other copy so frequently mentioned. The capital initials are also very similar.
It is a pity that, during the binding, (which is in red morocco) the vellum has been so very much crumpled. This copy measures thirteen inches and seven eighths, by nine inches and three eighths.
I must now lay before you a few more Cla.s.sics, and conclude the whole with miscellaneous articles.
TERENTIUS. _Printed by Ulric Han_. Folio. _Without date_. In all probability the first edition of the author by Ulric Han, and perhaps the second in chronological order; that of Mentelin being considered the first.
It is printed in Ulric Han's larger roman type. This may be considered a fine genuine copy--in old French binding, with the royal arms.
ARISTOTELIS OPERA. _Printed by Aldus_. 1495, &c. 6 vols. Would you believe it--here are absolutely TWO copies of this glorious effort of the Aldine Press, printed UPON VELLUM!? One copy belonged to the famous _Henri II. and Diane de Poictiers_, and is about an eighth of an inch taller and wider than the other; but the other has not met with fair play, from the unskilful manner in which it has been bound--in red morocco. Perhaps the interior of this second copy may be preferred to that of Henri II. The illuminations are ancient, and elegantly executed, and the vellum seems equally white and beautiful. Probably the tone of the vellum in the other copy may be a _little_ more sombre, but there reigns throughout it such a sober, uniform, mellow and genuine air--that, brilliant and captivating as may be the red morocco copy--_he_ ought to think more than _once_ or _twice_ who should give it the preference. The arms of the morocco copy, in the first page of the Life of Aristotle, from Diogenes Laertius, have been cut out. This copy came from the monastery of St. Salvador; and the original, roughly stamped, edges of the leaves are judiciously preserved in the binding. Both copies have the _first_ volume upon _paper_. Indeed it seems now clearly ascertained that it was never printed upon vellum.[78]
The copy of Henri II. measures twelve inches and a quarter, by eight and an eighth.
PLUTARCHI OPUSCULA MORALIA. _Printed by Aldus_. 1509. Folio. 2 vols.
Another, delicious MEMBRANACEOUS treasure from the fine library of Henri II. and Diane de Poictiers; in the good old original coverture, besprinkled with interlaced D's and H's. It is in truth a lovely book--measuring ten inches and five eighths, by seven inches and three eighths; but I suspect a little cropt. Some of the vellum is also rather tawny--especially the first and second leaves, and the first page of the text of Plutarch. These volumes reminded me of the first Aldine Plato, also UPON VELLUM, in the library of Dr. W. Hunter; but I question if the Plato be _quite_ so beautiful a production.
EUSTATHIUS IN HOMERUM. 1542. Folio. 4 vols. Printed UPON VELLUM--and probably unique. A set of matchless volumes--yet has the binder done them great injustice, by the manner in which the backs are cramped or choked.
The exteriors, in blazing red morocco, are not in the very best taste. A good deal of the vellum is also of too yellow a tint, but it is of a most delicate quality.
ARISTOTELIS ETHICA NICHOMACHEA. Gr. This volume forms a part only of the first Aldine edition of the Nichomachean ethics of Aristotle. The margins are plentifully charged with the Scholia of Basil the Great, as we learn from an original letter of "Constantinus Palaeocappa, grecus" to Henry the Second--whose book it was, and who shewed the high sense he entertained of the Scholia, by having the volume bound in a style of luxury and splendour beyond any thing which I remember to have seen--as coming from his library.
The reverse of the first leaf exhibits a beautiful frame work, of silver ornaments upon a black ground--now faded; with the initials and devices of Henry and Diane de Poictiers. Their arms and supporters are at top. Within this frame work is the original and beautifully written letter of Constantine Palaeocappa. On the opposite page the text begins--surrounded by the same brilliant kind of ornament; having an initial H of extraordinary beauty. The words, designating the Scholia, are thus:
[Greek: META SCHOLIoN BASILEIOU TOU MEGALOU.]
These Scholia are written in a small, close, and yet free Greek character, with frequent contractions. Several other pages exhibit the peculiar devices of Henry and Diana--having silver crescents and arrow-stocked quivers. This book is bound in boards, and covered with dark green velvet, now almost torn to threads. In its original condition, it must have been an equally precious and resplendent tome. It measures twelve inches and a quarter, by eight inches and three eighths.
EUCLIDES. _Printed by Ratdolt_. 1482. Folio. A copy UPON VELLUM. The address of Ratdolt, as it sometimes occurs, is printed in golden letters; but I was disappointed in the view of this book. Unluckily the first leaf of the text is ms. but of the time. At the bottom, in an ancient hand, we read "_Monasterii S. Saluatoris bonon. signatus In Inuentario numero 524._"
It is a large copy, but the vellum is rather tawny.
PRISCIa.n.u.s. _Printed by V. de Spira_. 1470. Folio. First edition, UPON VELLUM. This is a book, of which, as you may remember, some mention has been previously made;[79] and I own I was glad to turn over the membranaceous leaves of a volume which had given rise, at the period of its acquisition, to a good deal of festive mirth. At the first glance of it, I recognised the cropping system. The very first page of the text has lost, if I may so speak, its head and shoulders: nor is such amputation to be wondered at, when we read, to the left, "_Relie par_ DEROME dit le Jeune."
Would you believe it--nearly one half of the illumination, at top, has been sliced away? The vellum is beautifully delicate, but unluckily not uniformly white. Slight, but melancholy, indications of the worm are visible at the beginning--which do not, however, penetrate a great way.
Yet, towards the end, the ravages of this book-devourer are renewed: and the six last leaves exhibit most terrific evidences of his power. This volume is bound in gay green morocco--with water-tabby pink lining.
BUDaeUS. COMMENT. GR. LING. 1529. Folio. Francis the First's own copy--and UPON VELLUM! You may remember that this book was slightly alluded to at the commencement of a preceding letter. It is indeed a perfect gem, and does one's heart good to look at it. Budaeus was the tutor of Francis, and I warrant that he selected the very leaves, of which this copy is composed, for his gallant pupil. Old Ascensius was the printer: which completes the ill.u.s.trious trio. The illuminations, upon the rectos of the first and second leaves, are as beautiful as they are sound. Upon the whole, this book may fairly rank with any volume in either of the vellum sets of the Aldine Aristotle. It is bound in red morocco; a little too gaudily.
CICERONIS ORATIONES. _Printed by Valdarfer_. 1471: Folio. Still revelling among VELLUM copies of the early cla.s.sics. This is a fine book, but it is unluckily imperfect. I should say that it was of large and genuine dimensions, did not a little close cropping upon the first illuminated page tell a different tale. It measures twelve inches and six eighths, by eight inches and a half. Upon the whole, though there be a few uncomfortably looking perforations of the worm, this is a very charming copy. Its imperfections do not consist of more than the deficiency of one leaf, which contains the table.
OVIDII OPERA OMNIA. _Printed by Azoguidi_. 1471. Folio. 3 vols. The supposed FIRST EDITION, and perhaps (when complete)[80] the rarest Editio Princeps in existence. The copy before me partakes of the imperfection of almost every thing earthly. It wants two leaves: but it is a magnificent, and I should think unrivalled, copy--bating such imperfection. It measures very nearly thirteen inches and a quarter, by little more than eight inches three quarters. It is bound in red morocco.
aeSOPUS. Latine. _Printed by Dom. de Vivaldis, &c_. 1481. Folio. A most singular volume--in hexameter and pentameter, verses. To every fable is a wood cut, quite in the ballad style of execution, with a back-ground like coa.r.s.e mosaic work. The text is printed in a large clumsy gothic letter.
The present is a sound copy, but not free from stain. Bound in blue morocco.
aeSOPUS. Italice. _Edited by Tuppi_. 1485. Folio. A well known and highly coveted edition: but copies are very rare, especially when of goodly dimensions. This is a large and beautiful book; although I observe that the border, on the right margin of the first leaf, is somewhat cut away. The graphic art in this volume has a very imposing appearance.
---- Germanice. _Without Date or Name of Printer_. Folio. This edition is printed in a fine large open gothic type. There is the usual whole length cut of aesop. The other cuts are spirited, after the fashion of those in Boccacio De Malis Mulier. Ill.u.s.t.--printed by John Zeiner at Ulm in 1473.
The present is a fine, sound copy: in red morocco binding.
aeSOPUS. Germanice. _Without Date, &c_. Folio. This impression, which, like the preceding, is dest.i.tute of signatures and catchwords, is printed in a smaller gothic type. The wood cuts are spirited, with more of shadow. Some of the initial letters are pretty and curious. Some of the pages (see the last but fifteen) contain as many as forty-five lines. The present is a fine, large copy.
---- Hispanice. _Printed at Burgos._ 1496. Folio. This is a beautiful and interesting volume, full of wood cuts. The t.i.tle is within a broad bold border, thus: "_Libro del asopo famoso fabulador historiado en romace_."
On the reverse is the usual large wood cut of aesop, but his mouth is terribly diminished in size. The leaves are numbered in large roman numerals. A fine clean copy, in blue morocco binding.
And now, my dear friend, let us both breathe a little, by way of cessation from labour: yourself from reading, and your correspondent from the exercise of his pen. I own that I am fairly tired ... but in a few days I shall resume the BOOK THEME with as much ardour as heretofore.
[43] In his meditated Catalogue raisonne of the books PRINTED UPON VELLUM in the Royal Library. [This Catalogue is now printed, in 8vo. 5 vols.
1822. There are copies on LARGE PAPER. It is a work in all respects worthy of the high reputation of its author. A _Supplement_ to it--of books printed UPON VELLUM in _other_ public, and many distinguished _private_ libraries, appeared in 1824, 8vo. 3 vols.--with two additional volumes in 1828. These volumes are the joy of the heart of a thorough bred Bibliographer.]
[44] The measurement is necessarily confined to the leaves--_exclusively_ of the binding.
[45] See the Art. "_Roman de Jason_"
[46] [There are, now, ten known _perfect_ copies of this book, of which six are in England. M. Renouard, in his recent edition of the _Annals of the Aldine Press_, vol. i. p. 36, has been copious and exact.]
[47] [Since bound in blue morocco by Thouvenin.]
[48] [This anecdote, in the preceding Edition of the Tour, was told, inaccurately, as belonging to the Caxton's edition of the _Recueil des Hist. de Troye_: see p. 102 ante. I thank M. c.r.a.pelet for the correction.]
[49] _Bibl. Spenceriana_, vol. i. p. 107, &c.
[50] [The finest copy in the world of the second edition, as to amplitude, is, I believe, that in the Bodleian library at Oxford. A very singular piece of good fortune has now made it PERFECT. It was procured by Messrs. Payne and Foss of M. Artaria at Manheim.]
[51] Nine years ago I obtained a fac-simile of this memorandum; and published an Essay upon the antiquity of the date of the above Bible, in the _Cla.s.sical Journal_, vol. iv. p. 471-484. of Mr. J.A. Valpy.
But latterly a more complete fac-simile of it appeared in the Catalogue of Count M'Carthy's books.
[52] "_Iste liber illuminatus, ligatus & completus est per Henric.u.m Cremer vicariu ecclesie sancti Stephani Maguntini sub anno dni Millesimo quatringentesimo quinquagesimo s.e.xto, festo a.s.sumptionis gloriose virginis Marie. Deo gracias. Alleluja_."
[53] [This copy having one leaf of MS.--but executed with such extraordinary accuracy as almost to deceive the most experienced eye--was sold in 1827, by public auction, for 504_l_. and is now in the collection of Henry Perkins, Esq.]
[54] _Bibl. Spenceriana_; vol. i. p. 85-89.
[55] _Bibl. Spenceriana_; vol. i. p. 103-4; where there is also an account of the book itself--from the description of Camus. The work is ent.i.tled by Camus, The ALLEGORY OF DEATH.
[56] This subject is briefly noticed in the _Bibliographical Decameron_, vol. i. 371; and the book itself is somewhat particularly described there. I think I remember Lord Spencer to have once observed, that more than a slight hope was held out to him, by the late Duke of Brunswick, of obtaining this typographical treasure. This was before the French over-ran Prussia.