After a short time Connor quarrelled with his wife and went away, leaving Mrs. Connor and the little girl with Holmes. After 1892 Mrs.

Connor and her daughter had disappeared, but in August, 1895, the police found in the castle some clothes identified as theirs, and the janitor, Quinlan, admitted having seen the dead body of Mrs. Connor in the castle. Holmes, questioned in his prison in Philadelphia, said that Mrs.

Connor had died under an operation, but that he did not know what had become of the little girl.

In the year of Mrs. Connor's disappearance, a typist named Emily Cigrand, who had been employed in a hospital in which Benjamin Pitezel had been a patient, was recommended by the latter to Holmes. She entered his employment, and she and Holmes soon became intimate, pa.s.sing as "Mr. and Mrs. Gordon." Emily Cigrand had been in the habit of writing regularly to her parents in Indiana, but after December 6, 1892, they had never heard from her again, nor could any further trace of her be found.

A man who worked for Holmes as a handy man at the castle stated to the police that in 1892 Holmes had given him a skeleton of a man to mount, and in January, 1893, showed him in the laboratory another male skeleton with some flesh still on it, which also he asked him to mount. As there was a set of surgical instruments in the laboratory and also a tank filled with a fluid preparation for removing flesh, the handy man thought that Holmes was engaged in some kind of surgical work.

About a month before his execution, when Holmes' appeals from his sentence had failed and death appeared imminent, he sold to the newspapers for 7,500 dollars a confession in which he claimed to have committed twenty-seven murders in the course of his career. The day after it appeared he declared the whole confession to be a "fake."

He was tired, he said, of being accused by the newspapers of having committed every mysterious murder that had occurred during the last ten years. When it was pointed out to him that the account given in his confession of the murder of the Pitezel children was clearly untrue, he replied, "Of course, it is not true, but the newspapers wanted a sensation and they have got it." The confession was certainly sensational enough to satisfy the most exacting of penny-a-liners, and a lasting tribute to Holmes' undoubted power of extravagant romancing.

According to his story, some of his twenty-seven victims had met their death by poison, some by more violent methods, some had died a lingering death in the air-tight and sound-proof vault of the castle. Most of these he mentioned by name, but some of these were proved afterwards to be alive. Holmes had actually perpetrated, in all probability, about ten murders. But, given further time and opportunity, there is no reason why this peripatetic a.s.sa.s.sin should not have attained to the considerable figure with which he credited himself in his bogus confession.

Holmes was executed in Philadelphia on May 7, 1896. He seemed to meet his fate with indifference.

The motive of Holmes in murdering Pitezel and three of his children and in planning to murder his wife and remaining children, originated in all probability in a quarrel that occurred between Pitezel and himself in the July of 1894. Pitezel had tired apparently of Holmes and his doings, and wanted to break off the connection. But he must have known enough of Holmes' past to make him a dangerous enemy. It was Pitezel who had introduced to Holmes, Emily Cigrand, the typist, who had disappeared so mysteriously in the castle; Pitezel had been his partner in the fraudulent appropriation of Miss Minnie Williams' property in Texas; it is more than likely, therefore, that Pitezel knew something of the fate of Miss Williams and her sister. By reviving, with Pitezel's help, his old plan for defrauding insurance companies, Holmes saw the opportunity of making 10,000 dollars, which he needed sorely, and at the same time removing his inconvenient and now lukewarm a.s.sociate. Having killed Pitezel and received the insurance money, Holmes appropriated to his own use the greater part of the 10,000 dollars, giving Mrs. Pitezel in return for her share of the plunder a bogus bill for 5,000 dollars.

Having robbed Mrs. Pitezel of both her husband and her money, to this thoroughgoing criminal there seemed only one satisfactory way of escaping detection, and that was to exterminate her and the whole of her family.

Had Holmes not confided his scheme of the insurance fraud to Hedgspeth in St. Louis prison and then broken faith with him, there is no reason why the fraud should ever have been discovered. The subsequent murders had been so cunningly contrived that, had the Insurance Company not put the Pinkerton detectives on his track, Holmes would in all probability have ended by successfully disposing of Mrs. Pitezel, Dessie, and the baby at the house in Burlington, Vermont, and the entire Pitezel family would have disappeared as completely as his other victims.

Holmes admitted afterwards that his one mistake had been his confiding to Hedgspeth his plans for defrauding an insurance company--a mistake, the unfortunate results of which might have been avoided, if he had kept faith with the train robber and given him the 500 dollars which he had promised.

The case of Holmes ill.u.s.trates the practical as well as the purely ethical value of "honour among thieves," and shows how a comparatively insignificant misdeed may ruin a great and comprehensive plan of crime.

To dare to attempt the extermination of a family of seven persons, and to succeed so nearly in effecting it, could be the work of no tyro, no beginner like J. B. Troppmann. It was the act of one who having already succeeded in putting out of the way a number of other persons undetected, might well and justifiably believe that he was born for greater and more compendious achievements in robbery and murder than any who had gone before him. One can almost subscribe to America's claim that Holmes is the "greatest criminal" of a century boasting no mean record in such persons.

In the remarkable character of his achievements as an a.s.sa.s.sin we are apt to lose sight of Holmes' singular skill and daring as a liar and a bigamist. As an instance of the former may be cited his audacious explanation to his family, when they heard of his having married a second time. He said that he had met with a serious accident to his head, and that when he left the hospital, found that he had entirely lost his memory; that, while in this state of oblivion, he had married again and then, when his memory returned, realised to his horror his unfortunate position. Plausibility would seem to have been one of Holmes' most useful gifts; men and women alike--particularly the latter--he seems to have deceived with ease. His appearance was commonplace, in no way suggesting the conventional criminal, his manner courteous, ingratiating and seemingly candid, and like so many scoundrels, he could play consummately the man of sentiment.

The weak spot in Holmes' armour as an enemy of society was a dangerous tendency to loquacity, the defect no doubt of his qualities of plausible and insinuating address and ever ready mendacity.

The Widow Gras

Report of the trial of the woman Gras and Gaudry in the Gazette des Tribunaux. The case is dealt with also by Mace in his "Femmes Criminelles."

I

THE CHARMER

Jenny Amenaide Brecourt was born in Paris in the year 1837. Her father was a printer, her mother sold vegetables. The parents neglected the child, but a lady of t.i.tle took pity on her, and when she was five years old adopted her. Even as a little girl she was haughty and imperious. At the age of eight she refused to play with another child on the ground of her companion's social inferiority. "The daughter of a Baroness," she said, "cannot play with the daughter of a wine-merchant." When she was eleven years old, her parents took her away from her protectress and sent her into the streets to sell gingerbread--a dangerous experience for a child of tender years. After six years of street life, Amenaide sought out her benefactress and begged her to take her back. The Baroness consented, and found her employment in a silk manufactory. One day the girl, now eighteen years old, attended the wedding of one of her companions in the factory. She returned home after the ceremony thoughtful.

She said that she wanted to get married. The Baroness did not take her statement seriously, and on the grocer calling one day, said in jest to Amenaide, "You want a husband, there's one."

But Amenaide was in earnest. She accepted the suggestion and, to the Baroness' surprise, insisted on taking the grocer as her husband.

Reluctantly the good lady gave her consent, and in 1855 Amenaide Brecourt became the wife of the grocer Gras.

A union, so hasty and ill-considered, was not likely to be of long duration. With the help of the worthy Baroness the newly married couple started a grocery business. But Amenaide was too economical for her husband and mother-in-law. Quarrels ensued, recriminations. In a spirit of unamiable prophecy husband and wife foretold each other's future.

"You will die in a hospital," said the wife. "You will land your carcase in prison," retorted the husband. In both instances they were correct in their antic.i.p.ations. One day the husband disappeared. For a short time Amenaide returned to her long-suffering protectress, and then she too disappeared.

When she is heard of again, Amenaide Brecourt has become Jeanne de la Cour. Jeanne de la Cour is a courtesan. She has tried commerce, acting, literature, journalism, and failed at them all. Henceforth men are to make her fortune for her. Such charms as she may possess, such allurements as she can offer, she is ready to employ without heart or feeling to accomplish her end. Without real pa.s.sion, she has an almost abnormal, erotic sensibility, which serves in its stead. She cares only for one person, her sister. To her Jeanne de la Cour unfolded her philosophy of life. While pretending to love men, she is going to make them suffer. They are to be her playthings, she knows how to snare them: "All is dust and lies. So much the worse for the men who get in my way.

Men are mere stepping-stones to me. As soon as they begin to fail or are played out, I put them scornfully aside. Society is a vast chess-board, men the p.a.w.ns, some white, some black; I move them as I please, and break them when they bore me."

The early years of Jeanne de la Cour's career as a Phryne were hardly more successful than her attempts at literature, acting and journalism.

True to her philosophy, she had driven one lover, a German, to suicide, and brought another to his death by over-doses of cantharides. On learning of the death of the first, she reflected patriotically, "One German the less in Paris!" That of the second elicited the matter-of-fact comment, "It was bound to happen; he had no moderation."

A third admirer, who died in a hospital, was dismissed as "a fool who, in spite of all, still respects women." But, in ruining her lovers, she had ruined her own health. In 1865 she was compelled to enter a private asylum. There she is described as "dark in complexion, with dark expressive eyes, very pale, and of a nervous temperament, agreeable, and pretty." She was suffering at the time of her admission from hysterical seizures, accompanied by insane exaltation, convulsions and loss of speech. In speaking of her humble parents she said, "I don't know such people"; her manner was bombastic, and she was fond of posing as a fine lady.

After a few months Jeanne de la Cour was discharged from the asylum as cured, and on the advice of her doctors went to Vittel.

There she a.s.sumed the rank of Baroness and recommenced her career, but this time in a more reasonable and businesslike manner. Her comments, written to her sister, on her fellow guests at the hotel are caustic.

She mocks at some respectable married women who are trying to convert her to Catholicism. To others who refuse her recognition, she makes herself so mischievous and objectionable that in self-defence they are frightened into acknowledging her. Admirers among men she has many, ex-ministers, prefects. It was at Vittel that occurred the incident of the wounded pigeon. There had been some pigeon-shooting. One of the wounded birds flew into the room of the Baroness de la Cour. She took pity on it, tended it, taught it not to be afraid of her and to stay in her room. So touching was her conduct considered by some of those who heard it, that she was nicknamed "the Charmer." But she is well aware, she writes to her sister, that with the true ingrat.i.tude of the male, the pigeon will leave her as soon as it needs her help no longer.

However, for the moment, "disfigured as it is, beautiful or ugly," she loves it. "Don't forget," she writes, "that a woman who is practical and foreseeing, she too enjoys her pigeon shooting, but the birds are her lovers."

Shortly after she left Vittel an event occurred which afforded Jeanne de la Cour the prospect of acquiring that settled position in life which, "practical and foreseeing," she now regarded as indispensable to her future welfare. Her husband, Gras, died, as she had foretold, in the Charity Hospital. The widow was free. If she could bring down her bird, it was now in her power to make it hers for life. Henceforth all her efforts were directed to that end. She was reaching her fortieth year, her hair was turning grey, her charms were waning. Poverty, degradation, a miserable old age, a return to the wretched surroundings of her childhood, such she knew to be the fate of many of her kind. There was nothing to be hoped for from the generosity of men. Her lovers were leaving her. Blackmail, speculation on the Bourse, even the desperate expedient of a supposit.i.tious child, all these she tried as means of acquiring a competence. But fortune was shy of the widow. There was need for dispatch. The time was drawing near when it might be man's unkind privilege to put her scornfully aside as a thing spent and done with. She must bring down her bird, and that quickly. It was at this critical point in the widow's career, in the year 1873, that she met at a public ball for the first time Georges de Saint Pierre.(16)

(16) For obvious reasons I have suppressed the real name of the widow's lover.

Georges de Saint Pierre was twenty years of age when he made the acquaintance of the Widow Gras. He had lost his mother at an early age, and since then lived with relatives in the country. He was a young man of independent means, idle, of a simple, confiding and affectionate disposition. Four months after his first meeting with the widow they met again. The end of the year 1873 saw the commencement of an intimacy, which to all appearances was characterised by a more lasting and sincere affection than is usually a.s.sociated with unions of this kind. There can be no doubt that during the three years the Widow Gras was the mistress of Georges de Saint Pierre, she had succeeded in subjugating entirely the senses and the affection of her young lover. In spite of the twenty years between them, Georges de Saint Pierre idolised his middle-aged mistress. She was astute enough to play not only the lover, but the mother to this motherless youth. After three years of intimacy he writes to her: "It is enough for me that you love me, because I don't weary you, and I, I love you with all my heart. I cannot bear to leave you.

We will live happily together. You will always love me truly, and as for me, my loving care will ever protect you. I don't know what would become of me if I did not feel that your love watched over me." The confidence of Georges in the widow was absolute. When, in 1876, he spent six months in Egypt, he made her free of his rooms in Paris, she was at liberty to go there when she liked; he trusted her entirely, idolised her. Whatever her faults, he was blind to them. "Your form," he writes, "is ever before my eyes; I wish I could enshrine your pure heart in gold and crystal."

The widow's conquest, to all appearances, was complete. But Georges was very young. He had a family anxious for his future; they knew of his liaison; they would be hopeful, no doubt, of one day breaking it off and of marrying him to some desirable young person. From the widow's point of view the situation lacked finality. How was that to be secured?

One day, toward the end of the year 1876, after the return of Georges from Egypt, the widow happened to be at the house of a friend, a ballet dancer. She saw her friend lead into the room a young man; he was sightless, and her friend with tender care guided him to a seat on the sofa. The widow was touched by the spectacle. When they were alone, she inquired of her friend the reason of her solicitude for the young man.

"I love this victim of nature," she replied, "and look after him with every care. He is young, rich, without family, and is going to marry me. Like you, I am just on forty; my hair is turning grey, my youth vanishing. I shall soon be cast adrift on the sea, a wreck. This boy is the providential spar to which I am going to cling that I may reach land in safety." "You mean, then," said the widow, "that you will soon be beyond the reach of want?" "Yes," answered the friend, "I needn't worry any more about the future."

"I congratulate you," said the widow, "and what is more, your lover will never see you grow old."

To be cast adrift on the sea and to have found a providential spar! The widow was greatly impressed by her friend's rare good fortune. Indeed, her experience gave the widow furiously to think, as she revolved in her brain various expedients by which Georges de Saint Pierre might become the "providential spar" in her own impending wreck. The picture of the blind young man tenderly cared for, dependent utterly on the ministrations of his devoted wife, fixed itself in the widow's mind; there was something inexpressibly pathetic in the picture, whilst its practical significance had its sinister appeal to one in her situation.

At this point in the story there appears on the scene a character as remarkable in his way as the widow herself, remarkable at least for his share in the drama that is to follow. Nathalis Gaudry, of humble parentage, rude and uncultivated, had been a playmate of the widow when she was a child in her parents' house.

They had grown up together, but, after Gaudry entered the army, had lost sight of each other. Gaudry served through the Italian war of 1859, gaining a medal for valour. In 1864 he had married.

Eleven years later his wife died, leaving him with two children. He came to Paris and obtained employment in an oil refinery at Saint Denis. His character was excellent; he was a good workman, honest, hard-working, his record unblemished. When he returned to Paris, Gaudry renewed his friendship with the companion of his youth. But Jeanne Brecourt was now Jeanne de la Cour, living in refinement and some luxury, moving in a sphere altogether remote from and unapproachable by the humble workman in an oil refinery. He could do no more than worship from afar this strange being, to him wonderfully seductive in her charm and distinction.

On her side the widow was quite friendly toward her homely admirer.

She refused to marry him, as he would have wished, but she did her best without success to marry him to others of her acquaintance. Neither a sempstress nor an inferior actress could she persuade, for all her zeal, to unite themselves with a hand in an oil mill, a widower with two children. It is typical of the widow's nervous energy that she should have undertaken so hopeless a task. In the meantime she made use of her admirer. On Sundays he helped her in her apartment, carried coals, bottled wine, scrubbed the floors, and made himself generally useful. He was supposed by those about the house to be her brother. Occasionally, in the absence of a maid, the widow allowed him to attend on her personally, even to a.s.sist her in her toilette and perform for her such offices as one woman would perform for another. The man soon came to be madly in love with the woman; his pa.s.sion, excited but not gratified, enslaved and consumed him. To some of his fellow-workmen who saw him moody and preoccupied, he confessed that he ardently desired to marry a friend of his childhood, not a working woman but a lady.

Such was the situation and state of mind of Nathalis Gaudry when, in November, 1876, he received a letter from the widow, in which she wrote, "Come at once. I want you on a matter of business. Tell your employer it is a family affair; I will make up your wages." In obedience to this message Gaudry was absent from the distillery from the 17th to the 23rd of November.

The "matter of business" about which the widow wished to consult with Gaudry turned out to be a scheme of revenge. She told him that she had been basely defrauded by a man to whom she had entrusted money. She desired to be revenged on him, and could think of no better way than to strike at his dearest affections by seriously injuring his son. This she proposed to do with the help of a knuckle-duster, which she produced and gave to Gaudry. Armed with this formidable weapon, Gaudry was to strike her enemy's son so forcibly in the pit of the stomach as to disable him for life. The widow offered to point out to Gaudry the young man whom he was to attack. She took him outside the young man's club and showed him his victim. He was Georges de Saint Pierre.

The good fortune of her friend, the ballet-dancer, had proved a veritable toxin in the intellectual system of the Widow Gras. The poison of envy, disappointment, suspicion, apprehension had entered into her soul. Of what use to her was a lover, however generous and faithful, who was free to take her up and lay her aside at will? But such was her situation relative to Georges de Saint Pierre. She remembered that the wounded pigeon, as long as it was dependent on her kind offices, had been compelled to stay by her side; recovered, it had flown away. Only a pigeon, maimed beyond hope of recovery, could she be sure of compelling to be hers for all time, tied to her by its helpless infirmity, too suffering and disfigured to be lured from its captivity. And so, in accordance with her philosophy of life, the widow, by a blow in the pit of the stomach with a knuckle-duster, was to bring down her bird which henceforth would be tended and cared for by "the Charmer" to her own satisfaction and the admiration of all beholders.

For some reason, the natural reluctance of Gaudry, or perhaps a feeling of compunction in the heart of the widow, this plan was not put into immediate execution. Possibly she hesitated before adopting a plan more cruel, more efficacious. Her hesitation did not last long.

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