Black Wings Part 13
The light of day stung my eyes, and everything was thus a bit out of focus as I sauntered across the road toward the wooded place. Most of the faces were familiar, but there were three persons to whom I had not yet been introduced. The youngest, dressed in rather dandified Victorian garb, leaned against a tree, and something in her pose and the style in which she wore her flame red hair was familiar. A few yards from her, standing at an easel, a box of brushes and tubes of paint on the ground beside him, was Pieter. I went to study his canvas and saw pinned to its top left corner a small black and white picture.
"Isn't that Swinburne?" I ventured, watching the old guy copying the wee image in watercolor, blending the poet's facial features with those of the ascetic girl beside the tree. It was she who, frowning at me, spoke.
"Who hath known the ways of time Or trodden behind his feet?" Or trodden behind his feet?"
"Whatever, babe," I threw at her, disliking her haughty att.i.tude. "So, you're copying, um, Burne-Jones . . . ?"
"Nope. Rossetti, painter and poet. Interesting, isn't it, how many artists have also been rhymers?" He worked his brush with dexterity and apt.i.tude, and suddenly an idea flashed in my brain.
"Hey, those paintings above the beds . . . "
Mocking meekness, he bowed his head. "Most of them are mine own. The Pickman in your room is an original. I've touched it up a little, to bring out the beast."
"That explains it," I cheerfully replied. "I was wondering why the ones I was familiar with didn't look quite right. You've blended the original sitters with models of your own, as you're doing now. That's kind of cool." I did not mention that I thought it a dubious practice to "touch up" another artist's work.
Leaving him to his labor, I went to join Pera, who sat beside the pool of water, a pet.i.te parasol protecting her from sunlight. Absentmindedly, she dipped her hand into the bunch of pretty flowers in her lap. "Playing her part to the full," I thought, although when I saw the expression in her eyes beneath their veil I reconsidered. She gazed at me with eyes that were wide and lunatic, but also so sad that I grew quite melancholy. Tenderly, I took up a bloom and tossed it into the murky water.
Oskar came to join us, sitting next to the pool and staring into its depths with an odd expression shifting the features of his yellow face. When I asked if he was feeling well, he merely smiled and shrugged, then dipped his hand into the pool and raised a handful of cupped water to his crown. I watched the water dribble down his features. Pera reached out to his wet face and began to dry it with her glove. Oskar took her hand and kissed it, then turned to watch an approaching figure.
"The Mistress approaches," Oskar whispered.
I studied the crone as she stalked toward us, then smiled as she held a boxlike contraption and pointed its covered lens to us. Pera turned away, but Oskar stared, transfixed, as the witch removed the bra.s.s covering from the lens. I heard the squawking of crows in the trees above us and imagined that the light of day subtly subdued. Quickly, the cover was snapped back into place. The old hag's mirthless laughter unnerved me. I did not like the way she investigated my facial features as she placed her camera or whatever it was on the ground and untied the piece of black fabric that encircled her throat.
"It's time to play, my sprigs," she cackled. Slowly, steadily, everyone except Pera stopped what they were doing and walked to the elderly woman, encircling her. I was the last to stand and join their circle, standing next to Oskar and a woman I had not yet been introduced to. The ancient beldame stepped to Oskar and wrapped her ribbon so that it covered his eyes, tying it behind his head. She led him to the center of our circle, then joined our number.
We did not join hands, but everyone began to hum in a low, nearly inaudible way, and our circle began to rotate slowly. As we moved around him, Oskar reached into the air as if ready to touch our faces. At last he reached out and touched the face of one of the women I did not know. He said her name, and she laughed as she untied the band from around his eyes. Above us, the cry of crows mingled with her laughter.
Oskar skipped to me and clapped. "My turn to choose, and you're it, Hank." I wanted to protest as he pulled me to the center of the circle and began to tie the ribbon 'round my head. "Do be a good sport, old boy," he requested, and so I stopped fidgeting and let him finish. My attention was focused on the smell of his jaundiced flesh and its effect on my appet.i.te. He tied the knot and began to take his hands away, but I clasped mine over them and pressed them to my nose, my mouth. He allowed me to savor his mortality for a few moments, and then he sighed, "Do let go, there's a good lad."
I sensed him walk away from me, and then I heard the sound of humming encircling me. Feeling slightly foolish, I raised my hands and, although I couldn't see anything, shut my eyes. I thought that I could feel a faint and shifting radiance on my hands, as if globes of soft auras pirouetted before me. Pitching forward, I grasped a face. The atmosphere grew still and silent. My fingers investigated the invisible visage; they felt the thick nose and full lips, lips that flexed so that my fingertips played against large square teeth. Thick stubble, almost a beard, covered the chin. Was it Philippe? Had he shortened his beard and I not notice it? I moved my fingers along the face and felt the ragged scar beneath the right eye, and on my other hand I felt the heat that emitted from a mouth that mocked with easy laughter.
Cursing, I ripped the band of cloth from before my eyes, and then cried in fright as a winged shadow fluttered before me, squawking risibility. The crow's beady eyes stared directly into mine as I felt the wind of its flapping wings. And then it vanished to join its comrades in the boughs above us. I stood in the center of the circle, looking at the faces that were all too far away for me to have touched.
Thunder rumbled in the distance. The circle broke up and my companions moved away. Eblis, who had not been a part of the circle, jumped out of a tree, landing near Pera. She arose and held onto the handles of his wheelchair as he leaped into it, maneuvering his stunted torso with hands, like some malformed monkey. I stood beneath the trees and listened to the sound of birds moving among the branches. I heard the patter of rain on bark and leaves, drops that slipped between those leaves and fell into the nearby pool. I looked at the others, who had crossed the road and were entering the building as Oskar held its door open for them. He stood there alone for some time, gazing at me, and then he waved and went inside.
A loud clap of thunder shook me from my mental void. I leaned against a tree and closed my eyes. My sharp hearing took in the sounds of storm, of moving shadow. The world was alive with sound such as I had never experienced. Pushing away from the tree I pa.s.sed the pond and peered into its water, not understanding the spheres beneath its surface, those pale globes that seemed almost to watch me.
I ran through the rain, into the building, and stepped into the drawing room. The tiny lights of the bra.s.s chandelier spread dim illumination through the room. Stopping before the painting of the oak grove, I examined it with interest. I saw that the "rainbow" was not actually white but rather a mixture of pale yellows and greens. The same wan green glowed among the numerous brown clouds. My eyesight oddly blurred as I stared at the thing, and that painted ma.s.s of nubilation seemed to billow and convulse, its patches of pale green reflecting a kind of alien light.
Turning away, I rubbed my eyes and listened to the frail music that issued from some distant place. I stepped into the hallway and pa.s.sed Pera's closed door, approached the door that opened onto the catacombs, and crossed its threshold. I needed no light as I held my hand against the rough-hewed wall and climbed down the small stone steps. Curiously, my discomfort for small dark places had deserted me. Glancing to where the whistling music was coming from, I noticed a doorway cut into the basalt, into which a squat round door had been fitted. Beside the wall leaned the dented wheelchair. Cracking open the door, I peered into an incommodious cell.
Eblis sat upon a squalid mat, looking like some troglodytic chimera, a plate of food before him. He watched me enter his domain as he put a slab of webbed meat to his mouth and tore into it with diseased teeth. Oskar stood in one corner, facing the wall as he played some flutelike instrument. Ignoring both of them, I went to examine the dark painting above the goblin's mat. Unlike the others, it did not represent another artist's work. Rather, it was a simple representation of Eblis Mauran in his wheelchair, the k.n.o.bs that were his hands in his lap.
Oskar killed his music and turned to face me.
"Tell me about Pickman," I ordered.
"Not much to tell. He disappeared in September of 1926, after an unsuccessful career as an artist in Boston."
"Why did he paint his chosen subjects?"
"He was attracted to the macabre. Who can explain why? Tell me why Goya's mood so darkened that he ended his career with the so-called Black Paintings. What moods arrested Poe and Baudelaire so as to produce their diabolic lore? Hmm?"
"Stop being precious and tell me about Pickman."
"Henry, there's little to tell. Like Goya, his mood darkened near the end of his life, fueled perhaps by his lack of luck in being able to exhibit and sell his paintings. People were turned off by the image of the morbid changeling that kept appearing in his work, that became his wh.o.r.eson theme. People felt abused when looking at his art."
"I'm sure they did."
"Look, I'm busy. Eblis has a session with the Mistress. Good day." So saying, he exited the room and picked up the old wheelchair, carrying it away.
I frowned at the goblin, then turned my attention once more to his painting. It was a large work in an ancient frame and seemed quite accomplished. And then I noticed the hands that nestled in the painted figure's lap, the nubs of which were both fingerless.
The gnome's plaintive voice spoke. "Master Pieter painted it just after I was woven."
I looked down at him. "I don't understand you."
"The Mistress grants me a new addition tonight." He held up his arms and smiled. "Will you carry me?"
I tilted to him and he scrambled into my embrace. His tiny arms wound around my neck, his large sad face fell onto my breast, and suddenly there were tears in my eyes. I could taste his loneliness. I carried him up the steps and into the hallway, then placed him into his wheelchair, which awaited him. He thanked me in his high and childlike voice, and I followed as he wheeled himself down the hallway and into the parlor. As I watched the tiny creature work his chair, something that Oskar had said about Pickman reverberated in my head. Oskar had described the creature in Pickman's painting as a changeling. Watching Eblis, I was certain that the word exactly described him: a secret child, unwanted in this world.
I followed Eblis to a door, which I opened for him. The crone sat at what looked like a prehistoric spinning wheel. In her left hand she held a moist ma.s.s of flesh, which she worked into the spindle and pulled through the outlandish device. I watched as the stringy meat was twisted and wound into a thread of glistening brawn. On a nearby table sat a shallow metal bidet in which a pile of the fibrous stuff had been tossed. Beside that ma.s.s of meat lay a large silver tray on which some of the flesh, woven together, was piled, ready to be eaten.
Seeing us, the old woman stopped her work and stood. "Ah, Henry, welcome. Will you have some opium?" Reaching for a pipe, she brought it to her mouth and lit the bowl. She sucked loudly and closed her eyes. "'Tis an old blend, from Burma. It will soothe your troubled mind."
Saying nothing, I took the pipe and drew on it. I watched as she sat in a chair next to the metal bowl, reaching for the gnome, who hastened to her lap. Deftly, she took up a pair of slender steel knitting needles, implements with which she worked a length of fibrous flesh into the hand on which Eblis wore two digits. My gut twisted as I watched her work, moving the needles into his flesh, her hands stained by spilling blood. Eblis neither screamed nor squirmed, and when at last he held to me his gory limb, I saw that the hand now wore a newly formed third finger. I sucked deeply on the pipe and held the smoke, and then I began to laugh, because I knew that I was dreaming.
*utside, the storm had pa.s.sed, and the sky was fairly clear. I walked to the crest of the hill, my mind and soul at peace. Knowing that I was dreaming gave me a longing for adventure, and so I began to follow the road down the hill, walking toward the dark and silent town. Just on the periphery of the sleeping hamlet I came upon a small cemetery crowded with willow trees, a place that looked so peaceful that I decided to investigate its weathered stones. And then I was startled by what sounded like a low harmonious wailing. Beneath a willow, standing around a barrow of stones, were three women dressed in black. I could not understand why they looked familiar, but then I remembered that I was dreaming, and so I ceased trying to make sense of these new phantoms. Boldly, I went to them and picked up one large rock that sat atop the mound. It felt very real, cold, and heavy.
The woman nearest walked to and joined me in holding the rock. I sucked the air through my nose, hoping to smell her mortality, but no fragrance wafted to me. She was a phantom indeed. Softly, she began to sing, and as her beady eyes observed me, I fancied that her song was meant for me. Taking the rock from her, I stepped closer to the pile and returned the rock to its place on top.
"I've never seen anything like this. I suppose whoever lies beneath must have died long ago."
"Long, long ago," the woman sang. I did not move as she came nearer, as her hand raised and began to investigate my face. I did not flinch as her talon poked into my scar and reopened it. I could smell the wet red stuff that began to leak down my face. Funny, I'd never experienced a sense of smell when dreaming, or of touch. Roughly, I grabbed hold of the woman's hand. She was real enough.
"What's happening to me?"
"You were lost, and now are found," the woman sighed.
I pushed her from me and looked again at the mound of stones. "For whom do you warble?"
The woman motioned to the mound. "For our antecedent. For them who float in Wraithwood. For you."
I shut my eyes and began to laugh. I could feel my high wearing off, but I was high enough to imagine that I could hear the sound of beating wings, and the noise reminded me of a line from Poe:
"Flapping from out their Condor wings Invisible Wo!" Invisible Wo!"
When my eyes opened, I stood alone on the cemetery sod. Above me I could hear the crying of crows as they flew upward, toward Wraithwood.
I whistled loudly and sucked in necrophagous air, a hungry aether that sank beneath my pores and chilled my soul. How soft seemed the ground beneath my feet. Falling to my knees, I clawed into that earth and brought a handful of it to my nostrils. My mouth began to water. I felt an overwhelming intensity of hunger, and in some dark secluded mental place I dreamed an image of myself digging deep into this chilly sod in search of sustenance. A memory came to me of the weird webbed food I had been served at the hotel. I craved it now. Rising, I walked out of that place, following the road upward, toward home.
All lights inside had been extinguished, and yet I could see wonderfully well when I entered the building. I had planned on going straight to my chamber, but when I heard a low murmuring within the parlor, I went to its doors and crept inside. A figure paced the room, babbling to herself. A gloved hand, through which two pointed fingernails had ripped, madly clutched the face beneath a lacerated veil. How keenly I could smell the blood that stained her face! I went to her, unable to comprehend the thing that hung from her mouth until I was very close. The crimson necklace that was a copy of the one in the t.i.tian painting was clenched between the teeth of a tightened jaw. And still she tried to babble.
I unfastened the torn veil and let it drift to the wooden floor. Her hand shot up to scratch her face, but I held it tight so as to block the nail from slicing once more into the emaciated skin. Touching my fingers to her mouth, I gently pulled the necklace from her teeth, catching a spill of drool with my cupped hand. When again she muttered, I understood her words.
"I know when one is dead and when one lives; he's dead as earth." She took the ruddy necklace from me and swung it before our eyes. "Why should a dog, a rat, a witch have life and he no breath at all?"
"Of whom do you speak, kind lady? I did not find his likeness in the alb.u.m. Where is his photograph?"
The woman tilted her head and examined me with lunatic eyes. Raising her hands above me, she slipped the necklace over my head. With one hand, she tightened it around my neck. When I began to have trouble breathing, I clawed at her hands and pushed her from me. t.i.ttering, she fled the room, and I followed to her bedchamber, where I found her lighting a candle on a bookshelf that she had littered with various bric-a-brac. I noticed the gilded frame before which she swayed. Going to her, I examined the glossy sheet of paper within the frame. At first I could discern no image, but the more I studied it in the flickering light, the more I could almost make out an imperceptible and spectral outline. "Is this your young man?" I asked, touching the frame. "Is he the young man in the t.i.tian?"
"The t.i.tian," she spat, in a voice that sounded coherent and sane. "He was young, wasn't he? Not yet nineteen. And so beautiful. I take flowers to him, to his shining face. I shall soon answer his summons." She shuddered and wrapped her arms around her shoulders. Turning to me, she tugged at her collar. "Pray you, undo this b.u.t.ton."
I worked the b.u.t.tons loose, then took the candle and led her to bed, setting the candle on the little bedside stand. Her face was smeared with dark blood that had seeped from her self-inflicted wounds. "I'll be right back," I promised, and then I went to her bathroom and threw a washcloth into the small porcelain basin. I turned one of the bra.s.s-spigots and let cold water flow onto the cloth, and as I waited I glanced at my reflection in the mirror. This reminded me that I was dreaming; for how could I see my face so clearly in an unlit room, and how could that reflection be mine own? I hadn't seen myself since my arrival to the motel, and so it should not have surprised me to see the growth of hair upon my face. But why was the bristle so thick, and how had my face grown so wide? Could those broad lips be mine, those large square teeth that almost protruded from the mouth?
No, this was all some mad hallucination, for only in a dream could my visage so alter as to resemble the ghoul in Pickman's painting. I thought of Oskar and his similarity to the figure in the painting above his bed. This was naught but mad delusion. And yet, when I reached for the cloth and wrung the excess water from it, I could feel the cold wetness so vividly. Returning to Pera, I washed the congealed blood from her face as she sat on the bed and stared at the flame. When I had finished, she took the rag from me and pressed it to the scar beneath my eye. Our mouths were very close, and I could smell her breath.
Dropping the washcloth to the floor, Pera picked up the candle and placed it between our mouths. "Put out the light," she whispered, "and then put out the light." My tongue, coated with saliva, licked out the tiny blaze. I took the candle from her and set it down, then reached to undo more b.u.t.tons on her blouse. We sat in deep darkness, and yet I could see her, and even fancied that I could just make out the skull beneath her thin translucent skin. Together we reclined. She took hold of the necklace around my throat and spoke a stranger's name. I wrapped my hungry arms around her meat and shut my eyes. I dreamed within my dreaming, and those dreams were of dark cemetery sod, and of the carca.s.ses beneath the earth. How piquant was the smell of that soil and its inhabitants! And mingled with their odor I took in the sweet fragrance of the lunatic in my arms.
But when the morning light fell on me from the window in her room, I was alone. And when I went to that window to seek the source of singing that I heard, I saw the figures that stood within the grove, encased by dawn's dim light. Crying, I fled the room and rushed outside, running across the road and into that grove. When I saw the figure hanging from a length of rope that had been fastened to a st.u.r.dy branch, I fell upon wet gra.s.s.
Someone called my name, and I turned to face the crone. She was pointing her camera device at me, nodding her head in approval. Cursing her, I turned once more to look at the woman hanging from the tree, at the three other women who stood underneath her and wailed harmoniously. Eblis was suddenly beside me, touching his three fingers to my face and nodding his happy head. I watched as he scampered to the tree and began to scuttle up it, like something in a Kafkaesque delirium. Oskar and Philippe now stood beneath the corpse and took hold of it as Eblis gnawed the rope around the branch. The body fell as the wailing trio blurred into one cloudy ent.i.ty that rose to hidden branches, from which there came the squall of crows. I watched as the men took her body to the pool and gently tossed her into its water. In dream, I saw her dead hand gather a bunch of flowers that floated in the water next to her, and I sighed as she chose one lovely bloom and held it to me. Creeping to the edge of the pool, I reached for the flower that she offered me, and by chance I peered into the water, at the shining spheres that frolicked just beneath her. I saw the one pale globe that rose to kiss the back of her neck, that moved its mouth as if to name her. At the touch of his tender kiss, my lucent beauty smiled, closed her eyes, and sank into the water's depths.
The Dome.
Mollie L. Burleson
Mollie L. Burleson's short stories have appeared in the magazines Eldritch Tales, Crypt of Cthulhu, and Bare Bone, and ina number of anthologies, including100 Creepy Little CreatureStories (Barnes & n.o.ble, 1994), (Barnes & n.o.ble, 1994),100 Vicious Little Vampire Stories (Barnes & n.o.ble, 1995), (Barnes & n.o.ble, 1995),100 Wicked Little WitchStories (Barnes & n.o.ble, 1995), (Barnes & n.o.ble, 1995),Horrors! 365 Scary Stories(Barnes & n.o.ble, 1998), Weird Tales Weird Tales (Triad, 2002), and (Triad, 2002), andReturn to Lovecraft Country (Triad, 1997). (Triad, 1997).
*cloud formed atop the distant mountain as he headed west on Second Street. Pretty sight, he thought. It had been a big decision, moving out here. Not at all like living in the northeast. Better. Much better.
The vast turquoise sky above and the clean air and the people were just some of the reasons he had chosen to move here. Squinting slightly as the hot desert sun beat down, making watery images across the road, Tom nosed his car onto Saltillo Road.
He really liked it in New Mexico and was reminded daily of the rightness of his choice by just enjoying the natural wonders he'd see. The small town of Sand Rock was ideal for someone who had retired and was looking for a place to escape the rigors of the northern winters.
It was a friendly place, even though he had to drive two hundred miles a few times a year to shop the big stores and malls in Albuquerque or Las Cruces, and even Midland and Lubbock in Texas. It was a life without hearing daily about crime, and the air was pure, if you didn't count the occasional smell of manure as a pecan rancher fertilized his orchards.
Yes, it was a good life, he thought, as he turned left onto his rocky driveway and parked his truck. Slamming the door, he smiled as he watched the antics of a jackrabbit scampering across the lawn and heard the raucous cry of the long-tailed grackle. Yes, a good place to live.
He thought then about the only eyesore to the place, the huge, silver-colored building on the east side. It was rumored to have once been a place for storing cotton seed, but he'd never in his life seen its like. A tall building, ominous-looking and mysterious as it squatted on its gravel lot. The great domed roof could be seen from almost everywhere in town. It now housed a motley a.s.sortment of junk-collectibles, the sign read, which consisted of broken-down furniture, faded drapes and curtains piled high in cardboard boxes, outmoded children's toys, rusty bikes, tarnished mirrors, and the like.
The building was immense. He had been told that it measured a good three hundred feet across and was over one hundred feet high. Somehow, when standing in its very center, he had the feeling of having been swallowed up by a gigantic and repellant bug.
The circular walls of the interior were painted black halfway up and at the very top, a thing, very much like an eye, could be opened to the sky. It had been open for ventilation the day he stopped in to look at the items for sale, and the view it afforded had not been inspiring, but gray, for the day had been threatening rain.
What was was curious was the proprietor, a man of few words who spoke only when asked a direct question and then as concisely as possible. Tom didn't know his name and wondered if anyone in town did. The man was clad in tattered overalls, rundown boots, a plaid shirt with gray undershirt beneath, and the ubiquitous southwestern red kerchief at his neck. The kerchief appeared to have never been washed, as it was darkly stained and oily looking. Atop his rather large head, the old man wore a grimy straw hat, and the scraggly long beard upon his chin was as gray as his underwear. What little of his face that could be seen was a pair of reptilian-shaped eyes with lids that never seemed to close. They stared at you, unblinkingly. But of course, that was just Tom's imagination. The man appeared very old and that would make his eyes look like that. Wouldn't it? curious was the proprietor, a man of few words who spoke only when asked a direct question and then as concisely as possible. Tom didn't know his name and wondered if anyone in town did. The man was clad in tattered overalls, rundown boots, a plaid shirt with gray undershirt beneath, and the ubiquitous southwestern red kerchief at his neck. The kerchief appeared to have never been washed, as it was darkly stained and oily looking. Atop his rather large head, the old man wore a grimy straw hat, and the scraggly long beard upon his chin was as gray as his underwear. What little of his face that could be seen was a pair of reptilian-shaped eyes with lids that never seemed to close. They stared at you, unblinkingly. But of course, that was just Tom's imagination. The man appeared very old and that would make his eyes look like that. Wouldn't it?
Upon Tom's arrival in the town, the Dome had been pointed out to him as a good place to eke out his spa.r.s.e a.s.sortment of furniture. Living on a set income from Social Security and a tiny pension, he was only too happy to give the building a try. He had purchased a rickety chest for twenty dollars that he could use in his shed to hold tools and whatnot, and it suited him admirably. Still, dealing with the taciturn, almost surly old man was no pleasure, and Tom was glad to escape into the sunshine.
He had been in Sand Rock for almost a year now, and fit well into the community. He had met some men his age at the senior center and played pinochle with them from time to time.
One afternoon, as the game ended, Tom's friend Phil hung around and offered to get Tom a cup of coffee. They sat at a table near the snack bar and talked of many things. In pa.s.sing, Tom mentioned the chest he had bought at the Dome.
"That place?" Phil said. "Why, you couldn't get me closer than a mile to it, now."
"Why?" Tom looked astonished.
"Well, I went there a few years ago to pick up some tools I'd been needing, and when I walked in there, I saw the old man that runs the place crouched over some huge old book and mumbling to himself, and as I went closer, I could see strange figures and drawings on its pages and tried for a better look, but when I stumbled against one of the chairs, he looked up, wary-like, slammed the book shut and stuck it under the desk.
"You don't say."
"I do say! And the look he gave me with those bleary eyes was enough to kill! So I'd never go back there even if everything was free."
Tom thought about this and took a last swallow of his now-cold coffee.
They sat together in companionable silence for a while, then Phil took up the tale once more.
"And you know, my granddaddy once told me about that place and the story he'd heard about a strange cult that held its meetings at night under the Dome, usually about midnight around May Eve or Halloween. When granddaddy said that, he'd spit into the dust. It was the kind of thing that didn't set well with him, seeing that he was raised a Baptist."
Tom sat there, engrossed.
"'Course, that was after the seed was gone and they'd turned it into that junk store," Phil went on. "Don't think it's changed much, even to this day."
Tom had gone home then, stopping at the local country market. Being a fairly good cook, he enjoyed being able to buy freshly roasted chiles and local spices, and he produced some very tasty meals. Usually after dinner, coffee cup in hand, he would sit in his rocker on the cement patio and listen to the birds and locusts. Sometimes he'd walk back onto his property and survey his few pecan trees. In the distance, ever present, was the silver dome jutting into the sky. The structure seemed to him a blight on the town, a gigantic metallic blister, as it squatted there, silent and forbidding, and he'd turn his back on it and concentrate on the nearby beauty that surrounded him.
It was near the end of July that he received a note from his granddaughter telling him that she'd be pa.s.sing through town soon and wondering if he could put her up for a night. He was overjoyed at the news, for he loved his pretty little granddaughter who had just graduated from high school and was heading west to a college near Phoenix.
But there was a problem. Although he had two bedrooms, only one was furnished. He'd have to go to town and find a bed for her. It wouldn't be too great an expense if he bought it second hand, and, he could could use it for unexpected guests in the future. use it for unexpected guests in the future.
So, the next morning after breakfast, he got into his truck and headed for the used furniture store in town, a real store without domed roof or surly proprietor. But, as luck would have it, there was no bed suitable for his granddaughter and none priced to fit his meager budget. He squared his shoulders. There was nothing for it but to try out the silver dome again. He seemed to recall a fairly good selection of used beds when he last was in the store, and what harm could an old building and a crusty owner do?
The building was the same as before, huge and unpleasantly warm and slightly humid, even though the humidity was in the teens. There seemed to be an indefinable odor to the place, something reminiscent of the salt flats near the east coast of Maine. As he wandered the uneven and cluttered aisles, his footsteps and the voices of two other customers speaking to each other, echoed eerily off the walls. Almost as if they were underground. Or under the sea.