"Yesterday I put in a busy day visiting the abbey (Westminster) and riding around on the 'buses (omnibuses) and tram cars (street cars).

In the afternoon I went up to Marble Arch (the entrance to Hyde Park), and saw many fashionables; also I looked at the Row (Rotten Row, a drive and equestrian path in Hyde Park). There were a great many women in smart gowns (stylish dresses), and nearly all the men wore frock coats (Prince Alberts), and top hats (silk hats). There are many striking residential mansions (apartment houses) facing the park, and the district is one of the most exclusive up west (in the west end of London). Sunday evening is very dull, and I looked around the smoking-room of the hotel. Nearly every man in the room had a 'B and S' (brandy and soda) in front of him, although some of them preferred 'polly' (apollinaris) to the soda. A few of them drank fizz (champagne); but, so far as I have observed, most of the Englishmen drink spirits (whiskey), although they very seldom take it neat (straight), as you do at home. I went to bed early and had a good sleep. This morning when I awoke I found that my boots (shoes), which I had placed outside the door the night before, had been neatly varnished (polished). The tub (bath) which I had bespoken (ordered) the night before was ready, and I had a jolly good splash."

We paused in our admiring study of the letter and remarked to the author that "jolly good splash" was very good for one who had been ash.o.r.e only two days.

"Rahther," he said.

"I beg pardon?"

"Rahther, I say. But you understand, of course, that I'm giving him a bit of spoof."

"A bit of what?"

"Spoof--spoof. Is it possible that you have been here since Sat.u.r.day without learning what 'spoof' means? It means to chaff, to joke. In the States the slang equivalent would be 'to string' someone."

"How did you learn it?"

"A cabby told me about it. I started to have some fun with him, and he told me to 'give over on the spoof.' But go ahead with the letter. I think there are several things there that you'll like."

So we resumed.

"For breakfast I had a bowl of porridge (oatmeal) and a couple of eggs, with a few crumpets (rolls). Nearly all day I have been looking in the shop windows marvelling at the cheap prices. Over here you can get a good lounge suit (sack suit) for about three guineas (a guinea is twenty-one shillings); and I saw a beautiful poncho (light ulster) for four sovereigns (a sovereign is a pound, or twenty shillings). A fancy waistcoat (vest) costs only twelve to twenty shillings ($3 to $5), and you can get a very good morning coat (cutaway) and waistcoat for three and ten (three pounds and ten shillings). I am going to order several suits before I take pa.s.sage (sail) for home. Thus far I have bought nothing except a pot hat (a derby), for which I paid a half-guinea (ten shillings and sixpence). This noon I ate a snack (light luncheon) in the establishment of a licensed victualer (caterer), who is also a spirit merchant (liquor dealer). I saw a great many business men and clarks (clerks) eating their meat pies (a meat pie is a sort of a frigid dumpling with a shred of meat concealed somewhere within, the trick being to find the meat), and drinking bitter (ale) or else stout (porter). Some of them would eat only a few biscuit (crackers) for their lunch. Others would order as much as a cut of beef, or, as we say over here, a 'lunch from the joint.' This afternoon I have wandered about the busy thoroughfares. All the street vehicles travel rapidly in London, and you are chivied (hurried) at every corner."

"You have learned altogether too much," said Mr. Peasley. Where did you pick up that word 'chivy'?"

"I got that before I had been ash.o.r.e a half hour. Didn't I hear one of those railroad men down at Southampton tell another one to 'chivy' the crowd out of the custom house and get it on the train? I suppose that 'chivy' means to rush or to hurry. Anyway, he won't know the difference, and it sounds about as English as anything I have heard over here."

The letter continued:

"One of the common sights in London is the coster's (costermonger's) little cart, drawn by a diminutive moke (donkey); but you do not see many of them west of the City (the original London confined within the boundaries of the ancient wall, but now comprising only a small part of the geographical area of the metropolis). I saw so many novel things that I would like to tell about them, but I will reserve my further experiences for another letter."

"I don't want to write again until I have got a new stock of words,"

the author explained.

He read as follows in conclusion:

"This evening I am going to the theatre, having made a reservation (that is, having purchased) two orchestra stalls (parquet chairs) at the Lyceum. You may gather from this letter that I am having a ripping (very good) time, and in no hurry to terminate my stay in town (in London). I am your awfully devoted brother,

"ALEXANDER."

IN PARIS

CHAPTER VII

HOW AN AMERICAN ENJOYS LIFE FOR EIGHT MINUTES AT A TIME

They were all waiting for us--there at the corner, where the Avenue de l'Opera hooks on to the string of boulevards. They have been waiting for years without starving to death, so it is possible that once in a while some misguided American really employs one of them. They call themselves guides, but they are tramps--shabby genteel tramps, oiled and cheaply perfumed, full of shamefaced gayety, speaking wretched English. They come out of doorways at you, and in grovelling whispers beg of you to come with them and see all the wickedness of Paris. They attempt insulting familiarities, such as taking you by the arm or crowding close alongside and keeping up with you while they continue their blandishing arguments. Mr. Peasley expressed our violent emotions when he said: "When I'm tackled by one of those fellows I get hopping mad, because I know then that I must look easy."

We did not need any guide because we were looking for a cafe, and without any particular effort on our part we found more than one thousand. On a crisp evening in February, with snow lying in the neglected corners, we should have hunted for a grate fire; but no, we were in Paris and we wanted to sit in front of a cafe. For a week Mr.

Peasley had been saying, "Wait until we get to Paris and then we will go and sit in front of a cafe."

We saw many natives, all bundled up, sitting in the open street and slowly freezing to death, and so we joined one of the frigid little cl.u.s.ters and found some nice iron chairs waiting for us. It was a most heroic performance, but we took our coffee in the open air. A true Parisian can sit under a striped awning for hours at a time with nothing to entertain him except a few cigarettes, made of autumn leaves, and a large goblet filled with sweetened water. The newly arrived American wants to be truly Parisian, so he plants himself at a small table and settles back for an evening of calm enjoyment. In five minutes he has made a careful study of all the people at the neighbouring tables, he has watched the pa.s.sing crowds until he is dizzy, and he is beginning to squirm and hanker for real excitement.

He wants something to happen. It occurs to him that he is wasting time. He wonders if there isn't something doing a block or two to the east. So he moves on. By nine o'clock we had become sated with the cafe life of Paris and were scouting for a music hall.

When we were shown to our seats in the temple of art we found ourselves near three Americans, two sedate old men and a motherish woman in whom goodness and piety were plainly advertised. They were the kind of people who would not go to an entertainment in the church parlours at home unless a.s.sured by the pastor that the performance would be proper in all details. Here in Paris they sat in the front row of a music hall frequented by the gay characters of the boulevard and watched a pantomime which was calculated to peel the frescoes off the wall. They were not greatly amazed or shocked, but simply regarded the proceedings with sober interest. They were doing their plain duty as sight-seers.

Whenever I am in Paris I go to a show-shop in the evening and sit enthralled, listening to the musical singsong dialogue, of which I comprehended not one word. The pantomime gives an occasional flash-light on the story of the play and guess-work does the rest.

After making the rounds of the theatres, it is pleasant relaxation to watch the outdoor shows. I remember a travelling amus.e.m.e.nt enterprise that pa.s.sed our hotel in the early morning of a fete day.

A big, square-shouldered fellow, with an overcoat almost concealing his suit of tights, was pulling a hand-cart containing a roll of carpet, some coils of rope, two chairs, several dumbells, and those worn blue-painted odds and ends that seem to litter the "show business"

wherever it is encountered.

A smaller man, who did not wear tights, but whose attire, by its faded jauntiness, suggested his connection with the profession, walked behind the cart and pushed, although it seemed at times that he leaned more than he pushed.

Last of all came a stocky and erect young fellow, with a muscular frame dignifying an over-worn suit of clothes. He carried a valise and one did not need to see it open to know that it contained the powder, grease-paint, comb and brush, pocket mirror and bar of soap that accompany the entertainer on his travels and abide with him so long as hope remains.

Later in the day the aggregation was seen again, and this time at its best.

A crowd had formed a fringe around an open s.p.a.ce in one of the boulevard "places" and was watching a performance. The big man who had pulled the cart seemed to be the workhorse of the company.

His smaller companion, who had held to the cart, was now transformed into a clown, with baggy costume and painted face.

With much grunting and some grinding of the teeth the big man lifted dumb-bells into the air and held them there. His face was moist with perspiration and around the belt line of his tights there were damp spots.

When he had shown his prowess with dead weights he gathered up the stocky man, who was also in tights, and held him at arm's length above his head while his broad abdomen heaved like bellows.

The crowd was moved to applause, whereupon the clown, taking quick advantage of the demonstration, began pa.s.sing the hat. The clown's duties were very simple. He made confidential remarks to the spectators, evoked some laughter by his comments on the various feats, and watched his opportunity to reach for the coppers. The big man worked incessantly, but the clown seemed to be the more popular with the lounging sight-seers. He had taken the safe att.i.tude of a critic, and he must have known the secrets of business welfare. He allowed his a.s.sociates to do the heavy work while he kept cool and gathered in the money.

One evening while pa.s.sing a row of canvas booths on one of the open play-grounds we saw a young man with his hat off and his hair roughed up, taking deliberate aim with a rifle at a very small target twenty feet distant. The target was placed above a miniature prison about two feet high. Extending from the prison gate was a broad platform, on which was erected a guillotine perhaps eighteen inches high.

Evidently there was some hidden connection between the small target and the puny prison. The young Frenchman seemed unable to hit the target.

First the bullet would strike just below and then just above or off at one side. He became discouraged once and started away, but this was too much like surrender, so he came back, paid for three more shots and vowed that he would not give up until he had succeeded.

On the second shot there was a sudden buzzing, and then the striking of a bell, which announced that he had hit the target. The prison doors flew open and out came three figures abreast, moving with slow and jerky deliberation.

The Frenchman who had invoked the spectacle dropped the gun and shouted with joy. At last he was to see it!

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