A Captain in the Ranks Part 11
Accordingly, Duncan began to take an active part in the conversations going on about him, and little by little he injected so much of interest into them that whenever he spoke he was listened to with special attention. Without a.s.suming superiority of any kind, he came to be recognized as in fact superior. He came to be a sort of Autocrat of the Breakfast Table, directing the conversations there into new channels and better ones.
It was his practice to buy and read all the magazines as they appeared, including the particularly interesting eclectic periodicals of that time, in which the best European thought was fairly represented.
His reading furnished him many interesting themes for table talk, and presently the brightest ones among his companions there began to question him further concerning the subjects he thus mentioned. After a little while some of them occasionally borrowed reading matter of him, by way of still further satisfying their interest in the matters of which he talked at table.
A little later still, these brighter young men, one by one, began to visit Duncan's room in the evenings. In the free and easy fashion of that time and region, he made them welcome without permitting their coming or going to disturb his own evening occupations in any serious way. His room was very large, well warmed, and abundantly lighted, for he had almost a pa.s.sion for light. There was always a litter of new magazines, weekly periodicals, and the like on the big table in the centre of the room, and there were always piles of older ones in the big closet. Still further there was a stand of bookshelves which was beginning to be crowded with books bought one by one as they came out, or as Duncan felt the need of them. Literature was the young man's only extravagance, and that was not a very expensive one.
"Welcome! Help yourself! Read what you like and you won't disturb me."
That was the spirit of his greeting to all these his friends whenever they entered his door, and it was not long before the room of the young Virginian became a center of good influence among the young men of the town.
How greatly such an influence was needed the bank officers and other "solid" men of the city well knew and strongly felt. Few of them ever thought of reading anything themselves except the commercial columns of the newspapers, but they had reasons of their own for recognizing the good work Guilford Duncan was quietly doing, by cultivating the reading habit among their clerks.
Cairo was an ill-organized community at that time. The great majority of its people were "newcomers," from all quarters of the country, who had as yet scarcely learned to know each other. War operations had filled the town for several years past with shifting crowds of adventurers of all sorts, who found in disturbed conditions their opportunity to live by prey. There were gambling houses and other evil resorts in dangerous numbers, where soldiers and discharged soldiers on their way through the place were tempted to their ruin by every lure of vice and every ease of opportunity to go astray.
The solid men deplored these conditions, but were as yet powerless to better them. After the rush of discharged soldiers through the town ceased, the evil influences began to operate more directly upon the clerks and other young men of the city itself. Some who had begun life there with every prospect of worthy careers had sunk into degradation through vicious indulgence. Others who still managed to hold their places in business and to do their work tolerably were manifestly falling into habits that darkened their futures. In two or three instances young men of good bringing up, who had earned enviable reputations for diligence and good conduct, were lured into the gambling dens, robbed there, and at last were tempted to defalcations and even sheer robberies of the employers who trusted them. In one conspicuous case a youth who had won special regard among the better people by the tender care he was taking of his mother, and by diligence and faithfulness in his work, fell a victim to the pa.s.sion of gambling, robbed money packages that pa.s.sed through his hands as a cashier in an express office, was caught, convicted, and sentenced to prison as a common felon, to the saddening of all the town.
Under such circ.u.mstances even the least cultivated of the hard-headed business men could not fail to regard with special pleasure the silent work that Duncan was doing for the salvation of at least a considerable group of young men who might otherwise have fallen victims to the evil conditions that beset them.
Apart from his a.s.sociation with the young men who frequented his room, Duncan had no social life at all. He never visited at any house, except that Captain Hallam frequently had him to a meal over which the two might "talk business," or where he might meet and help entertain prominent men of affairs from other cities, whose visits were inspired by commercial purposes far more than by considerations of a social nature.
It created some little astonishment, therefore, when one day at the boarding house table, Duncan said to those about him:
"I hear that you fellows are organizing some sort of club for social purposes. Why haven't you given me a chance to join?"
"We didn't think you would care for such things. You never go out, you know, and----"
"What is the purpose of your organization, if you don't mind my asking?"
"Oh, certainly not. We're simply making up a little group, which we call 'The Coterie,' to have a few dancing parties and amateur concerts, and the like, in the big hotel dining room, during the winter. We've a notion that the young people of Cairo ought to know each other better.
Our idea is to promote social intercourse and so we're all chipping in to pay the cost, which won't be much."
"Well, may I chip in with the rest?"
Seeing glad a.s.sent in every countenance, he held out his hand for the subscription paper, and put down his name for just double the largest subscription on it. Then pa.s.sing it back he said:
"I think I may be able to secure some support for so good an undertaking, from the business men of the city and from others--the lawyers, doctors, and the like. Your entertainments certainly ought to have the benefit of their countenance. At any rate, I'll see what I can do. I don't know that I shall myself be able to attend the dances and the like--in fact, I'm sure I shall not--but I'll do what I can to help the cause along."
He did what he could, and what he could was much. The solid men, when he brought the subject to their attention, felt that this was an extension of that work of Duncan's for the betterment of the town, which they so heartily approved. They subscribed freely to the expense, and better still, they lent personal countenance to the entertainments.
Guilford Duncan also attended one of the entertainments, though it had been his fixed purpose not to do so. The reason was that Guilford Duncan was altogether human and a full-blooded young man. From the time of his arrival at Cairo until now, he had not had any a.s.sociation with women.
When such a.s.sociation came to him he accepted it as a boon, without relaxing, in any degree, his devotion to affairs.
It was the old story, related in a thousand forms, but always with the same purport, since ever the foundations of the world were laid.
"Male and female created he them." "And G.o.d saw that it was good."
All of human history is comprehended in those two sentences quoted from the earliest history of mankind.
XII
BARBARA VERNE
The person who had originated and who conducted Mrs. Deming's boarding house--famous for its fare--was, in fact, not Mrs. Deming at all. That good lady would pretty certainly have scored a failure if she had tried actively to manage such an establishment. She had never in her life known necessity for work of any kind, or acquired the least skill in its doing. She had been bred in luxury and had never known any other way of living until a few months before Guilford Duncan went to take his meals at what was known as her "table."
She had lived in a s.p.a.cious and sumptuously furnished suburban house near an eastern city, until two years or so before the time of this story.
When Barbara Verne, her only sister's child, was born and orphaned within a single day, and under peculiarly saddening circ.u.mstances, the aunt had adopted her quite as a matter of course.
No sooner had Barbara ceased to be an infant in arms than she began to manifest strong and peculiar traits of character. Even as a little child she was wondered at as "so queer--so old fashioned, don't you know?"
She had a healthy child's love for her dolls, and though the persons around her had not enough clearness of vision to see that she was fruitfully and creatively imaginative in her peculiar way, her dolls'
nursery was full of wonderful stories, known only to herself and the dolls. Every doll there had a personality, a history, and a character of its own. Barbara was the intimate of all of them--the confidential friend and companion, who listened to their imagined recitals of griefs and joys with a sympathetic soul, counseled them in a prematurely old way, chided them gently but firmly for their mistakes, commended good conduct whenever she discovered it in them, and almost mercilessly rebuked such shortcomings as common sense should have spared them. For common sense was Barbara's dominant characteristic.
She never told their stories to anybody. That, she felt, would have been to betray their confidence shamefully. It was only by eavesdropping on the part of her nursery maid, and by casual overhearings of her talk with her dolls that their life stories became known to anybody except herself.
And Barbara quickly put an end to the eavesdropping when she discovered it. She had a French nursery governess, Mathilde, whose double function it was to look after the child and to teach her French by talking to her only in that tongue. The maid, in fact, made the child teach her English, by talking with her chiefly in that language.
That, however, was an offense the child did not consider. She did not greatly value instruction in French--"English is so much better," she used to say to her aunt. "And besides, n.o.body ever talks in French. So why should we bother about it? Of course, I like to have La Fontaine's Fables read to me, and I like to read them to my dolls, because the dolls always enjoy them."
"How do you know that, Barbara?"
"Why, because they never interrupt. When I tell them 'make up' stories of my own, they often interrupt me. They 'want to know,' and sometimes I can't tell them. But with La Fontaine's stories it is never so. Still I don't think French is of much consequence."
That was the ill-informed and immature judgment of a child of seven or eight years. Perhaps the other judgment with which that same child coupled it in the lectures she sometimes gave her French nursery governess was sounder.
"Mathilde, you are an eavesdropper," she solemnly said to the girl one night. "You hide behind the door and listen while Phillida tells me about the way Corydon treats her. And you listen while I tell Phillida not to be foolish, and while I talk to Corydon about his behavior. I shouldn't mind that so much, Mathilde, if you didn't laugh at the dolls and their troubles. I don't like that."
But, notwithstanding the child's imaginative gift, she was intensely practical, in a quick-witted way that often astonished those about her.
She had an eager desire to learn domestic arts, and her peculiar conscientiousness in the doing of whatever she undertook to do, usually resulted in a skill superior to that of her teachers.
She loved to haunt the kitchen, where her courtesy won even the cantankerous cook for a friend, and from her the girl learned so much of her art that the cook could teach her no more. In the laundry the good-natured Irish woman who presided over that department of household economy gave her always so warm a welcome that the child came to think of the faithful woman as one of her choicest friends. Working with her over a little ironing board, Barbara quickly became expert in all the finer and more delicate operation of her art, or as the laundress herself said:
"Shure, the blissed choild puts the raal Oirish accint into the doin' up of a pretty frock."
When she grew a little older, Barbara's French nursery governess left her, and from that hour, almost without knowing it, the child took her education largely into her own hands, and her aunt stood too much in awe of her almost preternatural resoluteness, to interfere in any serious way. She provided masters for the child, but it was the girl herself and not the masters who decided what she should learn.
In that early time it was not generally thought necessary, or even desirable, to send girls away from home to study in colleges in company with boys--to learn Latin, Greek, mathematics, and basketball--to read the indecencies of cla.s.sic literature--and to mould themselves into an unlovely similitude to men. But there were frivolities in the education of women then which were almost as conspicuous as are the masculinities that have since taken their place.
In Barbara's case neither of these influences was felt. Without quite knowing what her own thought was, the girl early made up her mind that she would learn thoroughly all things that a woman must practice in life, that she would make herself fit to do a woman's part in the world without any pretense whatever.
She was set at one time to learn the piano, as in that day every girl was, to the saddening of human existence and the torturing of human nerves. After taking a few lessons Barbara was shrewd enough to discover that she had no musical gifts worth cultivating. She therefore promptly requested her aunt to dismiss her music master.
"Oh, but you must learn to play, you know, dear."
"Why must I, auntie?"